I'd imagine what would have been quite an expensive Behringer product, would have become a very expensive Behringer product indeed in the US with the made in China tariffs. If sense prevails, then you might see it reappear, but if it had no hope of selling in any quantity in (what I assume would be ...

I think so. One image per drive.

But you can partition the drive into two virtual discs , so if you've already got a C: drive, then say into E: and F:

Image on F:, useful stuff on E:

There are humbucker and P90 versions of mainstream Les Pauls. The P90 versions came first, and the PAF humbucker was an attempt to recreate the P90 sound but without the hum. Fairly close with the early low-powered humbuckers (though the manual construction methods meant some were pretty powerful ...

For albums, Les Paul would normally either be playing a hollow bodied guitar with P90s or a Les Paul with his low impedance pickups fitted. For the latter, you'd need an old Les Paul Recording, Personal, Professional or Signature. Live, he'd play anything he was given and his TV show with wife Mary ...

It should definitely be viewed as a stopgap to get them up and running. Once they are putting on concerts, it should hopefully allow some further, rather more ambitious, investment. Which probably needs to go hand in hand with some basic acoustic treatment.

It helps if you read the preceding posts and the original post title. Really low budget of around £1k The budget has doubled. It really helps if... ;) Oops! :blush: Still, £2k is still a long way from what would probably be nearer a £12k install with subs and mics and mixer of a suitable level.

And is this for playing live, or just for a recorded sound?

I would fly up (4m roughly) there something like 2x12 point source like TW Audio T24n It helps if you read the preceding posts and the original post title. Really low budget of around £1k is the driver here and you've suggested a couple of speakers that cost around £8.5k for the pair. Let alone the ...

It doesn't sound like jazz at all to me from that clip, more a Caribbean style tune. So definitely more info required on the tune and the players/band.

Yes, it probably won't be compatible with much else apart from a Wasp (or maybe one of the other EDP products like the single oscillator Gnat).

EDP did make their own 3-octave controller keyboard called a Caterpillar which could control up to four Wasps or Gnats for up to 4-note polyphony.

Real who appear to have made this are still going so it might be worth getting it touch with them to see if it was a production model or a one-off. I don't think so. They've simply resold it and put a sticker on it. The Sheffield dialling code was 0742 before it changed to 0114 in 1995. The South ...

Well, it's got a 7-pin DIN connector that the Wasps used for their 5‑volt CMOS logic signals, intended for linking Wasps together or connecting an external keyboard. The Wasp came out in 1978, so was several years pre-MIDI. https://www.soundonsound.com/reviews/edp-wasp So given the other markings on ...

Was it described as pickguard or scratch plate plastic?

I've bought cheap pickguard material from Amazon and it's been fine. It doesn't like getting hot at all (and curls up in hot sunlight), so you've just got to work slowly with it so it doesn't get too hot through friction.

Indeed!

You could always try going straight into the Volt (an instrument mode input) and use the FX as the preamp and then into the FX return of the Tramp.

I’m not saying it’s better, just different, and something to try to see if you like it.

Martin Walker wrote: ↑Thu Oct 16, 2025 2:36 pm I'm still perfectly happy with Omnisphere 1.5.8d

I take it that's the price in pounds, shillings and pence? One of your bigger outlays.

Note that some of the Trace Elliot Tramp amps had an FX loop blend control. If yours has one, then it needs to be set to fully wet, otherwise you'll be mixing some direct and some processed sounds with the added latency, and you'll get nasty comb-filtering. This is OK if you are using fully wet ...

Matt Houghton wrote: ↑Wed Oct 15, 2025 4:36 pm The other model in the range will be the Helmholtz Commode... Anyone want in?!

I'm afraid I have to pooh-pooh your idea.

The worst that can happen is that you also get a bit too much high frequency absorption, when you can then just add some more reflective surfaces in the room to balance things out, or remove some of the smaller traps (but not from the important mirror points). Whatever is easiest and works best in ...

The worst that can happen is that you also get a bit too much high frequency absorption, when you can then just add some more reflective surfaces in the room to balance things out, or remove some of the smaller traps (but not from the important mirror points). Whatever is easiest and works best in ...

Though when comparing AMD and Intel chipped laptops for battery life, do also compare their processing power. I recently bought an Acer laptop for my wife, and whilst the equivalent priced AMD model had a much longer battery life and lower power consumption, its processing power was only a small ...

Though on an acoustic you really want it as thin as possible whilst still affording protection, to let the top vibrate as much as possible.

In a commercial building situation you'd probably also box it in for extra noise reduction. Still a future option if it can be heard with the ceiling up.

Is the fan/HX unit on vibration isolating mounts?

I think the OP means MIDI driven 16-bit (or less) sounds from (mainly) the 80s computer sound cards.