https://artproaudio.com/patchbayssplitters/product/343236/p16 ? or maybe https://cpc.farnell.com/pulse/pls00022/rack-panel-loaded-12-xlr-plug/dp/DP29580?mckv=sshopping_dc%7Cpcrid%7C491034915808%7Ckword%7C%7Cmatch%7C%7Cplid%7C%7Cslid%7C%7Cproduct%7CDP29580%7Cpgrid%7C47836417355%7Cptaid%7Cpla ...

Great space, but this looks like a pretty old photo to me.
Lots of Tascam DA88's - I doubt anyone uses these anymore?
And protools HD192? typically kept for headphone mixes!
a couple of 1176's, a tubetech something, H3000, UA176?

Im guessing the Distressors are behind the chair...

I have no problem with any of it, but that doesn't mean I use all of it. The notion that the only music that can be made is by musicians, who study long and hard to learn their instrument and arrangements etc is alien to me. If that were true we wouldn't have EDM, hip hop etc. Music is for everyone ...

After hearing an API mic amp recently, crazy, just shocked at how it sounded, I was wondering why some people like them so much as a different flavour. They would be good for intimate bright vocals, my percussive synth patches, and our Marimba, it's a different sound to Focusrite, or Neve, much ...

I had one of the cheaper SE ones, which was basically some acoustic foam in a metal mesh shroud. I used it for a bit then stopped. I’m not really sure what it was but the vocal always sounded odd to me. Sort of closed in, congested, almost dull sounding. I think it did block out reflections but it a ...

Audient Nero?
It's got 3 speaker outs, plus 4 headphone outs? and a sub channel?
If you're talking wireless ear buds, you can get bluetooth to mini jack adaptors to drive them?

I think I should go towards this direction. I feel that if I can provide the "make your own mix" in the studio, it is an advantage that justifies the extra cost. What do you guys think? Would you do it if you were making a professional studio from the beginning? In the past I did provide 'make your ...

Finally, if it were me, I wouldn't be tempted to try and save some money by going for the older P-16m mixers. As others have said, quality isn't THAT important on your monitoring system, but the sound quality of the older units is pretty poor IMO. I notice it every time I use it. I'd definitley go ...

Hi there, I use this setup - albeit with the previous P-16m and not the HQ version. I guess the answer is (as always) it depends. The benefit of the P16 system is that each musician gets to setup their own monitor mix, and some people I've worked with have really welcomed this and thus the P16 ...

Yep, spot on. The facility for comfort reverb can be really important for some vocalists. The fact that RME interfaces have it built in is yet another reason why so many of us (mostly who have been around for a while) use RME and totalmix - pretty much everything you would want to do is possible…

I agree we need more info before I can say for sure, but it sounds like you are trying to monitor AFTER whatever it is you are recording has been into your computer, through your DAW then back out of your computer. Hence you are getting latency, and I can understand that regardless of how low you ...

Yo JJ So I have GIK monster traps in the corners diagonally floor to ceiling with rockwool in the triangular void behind them, then GIK tri trap’s floor to ceiling on the back wall in 1 corner and the other side where there’s a door so the trap is at the end on my rack as close as I can to the cor ...

Hi mate, Ive realised that this is the next post on from what we were previously discussing. Those traps you've made aren't going to do very much if you use them on their own i'm sorry to say. They are just too small to be effective with the material you say you want to produce and the bass end that ...

Cool!
You do you ma'dude...

I had one, it sounded horrible. I sold it.
Didn't do well on anything even remotely loud, the 'tone' was pretty iffy IMO.
Sounded 'fuzzy' to my ears, the magical 'top end smoothing' just made it sound dull and ordinary.

I wouldn't bother.

Sorry.

jellyjim wrote: ↑Wed May 21, 2025 6:03 pm

jaminem wrote: ↑Tue May 20, 2025 10:42 amNeumann KH310's which go really low (down to 34hz)

God they're hot!

You're a cruel man. Why would you put those in my brain?

Sorry bro. Max and Hugh told me to do it….

My trapping is GIK in the main…. Which of their bass products do you use? The Turbo Traps (the cylindrical ones) seem interesting. Practical, too. Something for the potted plants to sit on! I do very bass heavy music in a similar maybe slightly larger room Have you been able to incorporate a sub i ...

Hi there Re bass trap location, as Hugh says corners are a good place to start, but can I also recommend behind the desk on the front wall, with the most being up high where wall meets ceiling. Same on back wall- this is typically ‘dead space’ so a good location for it. Get some thick traps behind yo ...

Looks like a mod. For something? No idea what tho. The S2000’s with the optional board should have RCA’s for the digi I/O Regardless, given what you’ve said I’d still be inclined to find a software sample converter convert your akai samples to WAV and then trigger them inside your DAW. The S2000 is a ...

What Hugh is saying is that digital I/O was only available with the optional multi output board. You need one with the red and white RCA’s to transfer digitally. But fear not, you still have the stereo analog I/O which will work. I say fear not since I would imagine you are sentencing yourself to u ...

Cymbals! You have no cymbals? Well I think I heard one, once. Thems is good ear candy.. And maybe a tambourine in the chorus, give it a bit of swing. There's plenty going on and I'd be worried that of you added more midrange stuff it could get cluttered... Just my 2p. Enjoyed it though, and ...

No disrespect intended to anyone but what do people mean when they speak of "character" and "vintage" in relation to sound? My interpretation Character: saturated or mildly distorted, with an ‘unflat’ frequency response - usually a bump in low or high mids Vintage: a not massively extended top end.

I made the switch about 18 months ago. Perfectly happy tbh. If you believe the pre release hype, all new m4 macs will come with a minimum of 16gb RAM so that may be enough for you, but as others have said increasing to 32gb may help future proof it. By all accounts the entry level m4 chip is ...

I’ve said on this forum before that UAD have got a bit of a problem- they support more platforms than anyone else; Mac, PC and DSP and they have to continue to do that since although with advent of native many people (including me) jumped off the UAD 2 cards, they still have the Apollo range with u ...

I'm a 100% with James on this one. The ONLY reason I would buy one of these things is transfer some old 4 tracks into my DAW. The Porta 02 was a very budget machine in its day so assuming it works properly (unlikely) it would probably fulfil this purpose but not much else. If you're looking for it ...