I assume you have only used the midi within SD?

You would need to drag that midi info to the S1 track allocated to SD. Once done you can convert to audio file (track) or mix down as per normal.

I've been using Ver6 for awhile... and I really use it :smirk: Korg Gadget + Cubasis + MOOG + all manner of other synths and drum machines... in fact the only reason I got an iPad was for the IOS music apps. I would love to hear from users with the PRO version ... for example what is the maximum ...

I've been using Ver6 for awhile... and I really use it :smirk: Korg Gadget + Cubasis + MOOG + all manner of other synths and drum machines... in fact the only reason I got an iPad was for the IOS music apps. I would love to hear from users with the PRO version ... for example what is the maximum ...

I imagine that quite a few users must have come across this situation before, maybe some sooner than others? I am thinking of extending the useful life of my old RME 9632 & UAD-1 cards by using a new MB and latest uP with a PCI expansion bay. Has anyone done this (or something similar) :?: For ...

Judging only from what I've seen online...simply love it :thumbup: I have a Fantom X and was rather disappointed by the follow ups of the past few years... this looks to right those wrongs... Without doubt the sequencer is a strong feature, and even the V3 OS update from Yamaha for the Montage doesn ...

Passing thought ... most of us have more than 1 guitar, synth, mic etc - why not more than 1 DAW... ? :thumbup: Brainpower undersupply, quite simply. :( CC :smirk: quite possibly ... having gotten my head around Roland W30s, Korg M1, fantoms, VS880s, AW4416s and all manner of hardware sequencing ...

I did a top 5 for Cubase, and now I why I use Reason... 1.Combinators Simply the most powerful synth creation tool built-in into a DAW... except possibly MAX for Ableton Live. Anything I or others imagine can be created..layered, analogue, sampler, FM mixed and stirred in any way possible with MIDI ...

I use more than 1 DAW... for exactly the reason that each DAW has unique strengths. :ugeek: 1. Chord Tools (Pads) - be it the chord assistant, track, pads - everything related to working with chords - I love being able to keep track of musical ideas without having to write stuff down outside of the ...

In some respects it's scratching an itch, a lot of players probably lusted after the DC2 back in the day but either couldn't afford or couldn't find one. Hewesy Completely agree if your market is ..well...old people :lol: But I'm imagining that they are hoping to sell units to the younger ...

They are trying to show people that the circuit is basically the same one that went into the Dimension C unit, and not a digital emulation of one. I have the Boss DC3 Digital Dimension pedal, which is a digital emulation of the Dimension D effect (and a nice sounding chorus it is too), but it's ...

Yes, it is a discrete-time sampling-based system, but sampling is always an analogue modulation process . The signals being passed down the BBD chain are always analogue voltages, too: at no point are they quantised, or digitised, so it is not 'digital' in any way. The author is quite correct in ...

I could not help but wonder about the continuous fascination with things described as being "analogue" - albeit real or imagined ... From a recent review of the Boss DC-2W Using all‑analogue audio circuitry, and based around charge‑coupled delay‑line chips, the DC‑2W shares some of the basic concept ...

Something a little less conventional to try, seeing that you're a Cubase user, is Voxengo CurveEQ.

Grab the EQ spectrum from a bass sound you like and apply to your own recording.

And that's why I believe technical gear discussion should be more than it presently is. From a recent SOS review "but although their first compressor is based on a variable-mu tube circuit as used in the Fairchild 660 and 670, it’s not an emulation of those venerable units. Rather, TuCo shares some o ...

Personally, I think life is too short to worry about this too much. Once you get to a certain level of competence all compressors do what they are supposed to well, and you simply choose one over another because you like what it does and it allows you get what you want quickly and easily. Same with ...

My first foray using only the Waves CA76 (stereo). This is really is just a jumping off point. The sound source in all cases was a sample clip containing a few drum hits - basically something that contained a decent amount of frequency spectra. Measurement is being done in Steinberg Wavelab using ...

Measuring the frequency response doesn't tell you much if you don't also measure the distortion — ie you must ask yourself whether a bump in the midrange is due to simple gain (like EQ) or to harmonic distortion of lower-frequency elements. In my 1st attempts I'll consider the FFT of the freq. ...

Thank you all for the inputs :clap: Definitely some useful insights, some which actually correspond to my train of thought on the subject. I have an appreciation for the non-linear aspects of the various transfer characteristics, but I am curious as how 2 identical themed compressors e.g. 1176 FET ...

On another, less forgiving, forum, a member had made an impressively careful study of the summing of two DAWs and was happy to report that his findings had nulled perfectly, to which he received the reply 'I don't care if they null or not, they sound different'. No amount of objective proof will ...

SOS have certainly done a good job of keeping us informed of the various audio compressors available in the market place, many of which are simply to dear for mere mortals to mess around with, never mind owning! Software has of course changed all of that and today most of us have several different ...

Craftsmanship went from expected as a matter of course to something requiring a premium cost. Hmmm, not sure about this. To get a guitar that played well and was well-made you had no choice but to spend £2,000 in the 60s, 70s even 80s. Those of us that remember 'budget' guitars as they used to be ...

Gibson are much more than a guitar company. They've bought up all kinds of other music related brands over the years... They also own Tascam who are probably the exception to this rule and perhaps the only part of Gibson making interesting gear. Here's the list of current brands Gibson owns ...

I own and play one - love it :thumbup: The mileage will depend on the music style and your own ability as you mentioned... so for instance I dislike the lack of string spacing, if one wants to slap/pop - but if that's not your thing - all good. I can't comment too much about weight and size ...