Thanks, with silent I actually meant adding more quiet parts of music, not entirely silent. Without having a look I'm not sure they would be -10dB below the average, I'll get back about that.

I'll have a read on the BS1770 standard, that might provide some insight

Perhaps I don't fully understand the question, but to me it appears the TS is worried about how the media upload sites handle the 3 separate parts and adjusting it to the same average loudness, which breaks up the balance between these three. If that is the case, by my knowledge you can only avoid i...

First of all, I think LUFS is a good thing. All that maximising to comparable commercial releases has more than often made my tracks sound worse rather than better. If I however understand the material and interpret a few tests with audio files correctly, it appears to me, you could increase the lev...

I used to use HD650s but found they were a little 'tight' on my head. For long sessions, I'm also after comfort. These days I use Beyer DT880s, which I find very comfortable, suitably neutral - well let me explain - they have a bit of a HF lift - but that helps my ageing ears. I have the HD650 and ...

I gave it a wide 3dB boost at 700Hz (on the mixbus) and this produced a better overall balance. When boosting it, did you notice any particular parts that really came up and improved that balance? I guess in those instruments you could try to fix an overall 3dB increase. Perhaps by EQing or just ra...

yet there's a real interest in re-introducing all of the stuff that engineers in the "good old days" worked so hard to overcome and avoid. Yes, but they worked in an era that is defined by that sound. I had the luxury of moving from analogue to digital. I too noticed that a super clean di...

One other thing that took me a while to figure out: noise. When recording with outboard gear you also record a lot of noise. I initially thought this is unwanted, so the more digital, the less I had to deal with it. I found noise has a glue-like effect on multitrack recordings, mostly noticeable in ...

For what it's worth, I did use to re-route through (cassette) tapes to make sound more pleasing. In the early days I started out with Tascam and Marantz multitrack cassette recorders. There I noticed that slightly overdriving the input signal evened out the dynamics and had a very pleasing 'drive', ...

Thanks for all the suggestions and feedback everyone. To the question why it was working live...not entirely sure. I think you are more forgiving when listening to a non-repeatable live song and I suspect the PA has something to do with it. Also live the guitar drowns a little in the mix and is turn...

awjoe wrote: ↑Tue Sep 21, 2021 5:51 pm What is it about recording that produces masking when the live situation doesn't produce masking?

That is a valid question here and for which I must owe you a reply until I have done some more listening. I'll get back about this one.

I wish they did. Some big band guitar players are not so sensitive to the needs of the ensemble! Grant Green, however, used to play with an almost acoustic sound where the string noise was a big part of his sound and it had very little body. Yes, but Grant Green's sound was particularly bright and ...

Thanks for all the comments. It's mostly been a job of choosing where to compromise yesterday. Cut a bit off from the Rhodes without making it noticeably skinnier than on the other tracks, bass a little more subby (strange how scooping out the 300hz range often works so well with bass). Guitar EQ-ed...