I think that you only get the coloured scribble strips when using the X-touch with the XR18 or other Behringer/Midas digital mixers. Mine certainly only has monochrome when using with Reaper, despite having the channels colour coded in the DAW. I use a remote script with Cubase that supports the X ...

Not audiobooks, but I’ve done all the audios of a well being app (“connect with your breath”. All those things). Just spoken words, very quiet background music and eventual “gongs”. Recording wise, nothing different to what I would normally do for any other application. -12 peak is what I do too. Jus ...

guitar amps are not really that picky for mics. you can get awesome (and punchy!) results even with cheap mics. your quest shouldn't be about getting a new mic, but about knowing your current set up: - have you tried changing the placement of the mic? even the slightest movement can alter the sound ...

muzines wrote: ↑Mon Jun 24, 2024 12:13 pm

ore_terra wrote: ↑Mon Jun 24, 2024 9:45 am There is a native version of the UAD DBX 160 compresor.

There is now, yes, and I have it, but at the time of the post, there wasn't... (The UADx native version was ported and released about four months after that post).

2023… I didn’t notice

No, I kinda mean 160VU, but also similar flavours, that's why I didn't specify it. Sorry, yes that's what I meant, not sure why I added the A. I have the UAD one and always liked it, but it's DSP-only so I'm hoping they port it to native. The Arturia one is a different model by the looks (165A ...

It will make reading the ads easier… and the chances I end up spending some money higher

As they can be fairly easily determined over time based on visible information they don't qualify as a state secret :) New here at 4 posts Poster at 15 Regular at 100 Frequent Poster at 500 Longtime Poster at 5k Jedi Poster at 10k Forum Guru at 25k Forum Aficionado at 30k (Edited to reflect latest ...

My Sony whxxxwhatever-4 noise cancelling earbuds do an amazing job and sound great. However if the noise she wants to cancel is of a sudden nature (like a rapper singing), noise cancelling processing may not be quick enough to catch it. You’ll have to go to good (and expensive) ones, which are more e ...

it does for me. I'm not relying solely on Sound ID of course. My room is treated. But the software helps.

there's a trial period so you can try and decide yourself.

A7v user here. all I can say is that they are ok. There is nothing I miss. And as Sonarworks user it's pretty neat to have the profile in built in the speakers

That roomle thing is cool!

Instead of the 2 small cloulds I’d say one bigger one right next ver the listening position - mirror point.

aah, I'll edit the title since they're not DIY kits.

the question still stands

The algorithms keep bombing me with advertisements of this brand.

https://www.dachmanaudio.com

anyone has any experience with them? If I have to trust their customers' reviews, they're the best mics ever

It’s repairable. Take it to the luthier and let him/her do his thing.

I assume you like the guitar and are happy with the neck. Get the truss rod repaired/replaced. It’s not the easiest repair, but any average luthier can do it.

I don't think people complained about stage level when Hendrix toured small UK venues in the 60's with a 100W MArshall :lol: But that's because at the Hendrix gigs people were there specifically to see him (or at least one of the other bands on the bill) play live. The typical pub covers band are ...

Most importantly, I bet only one of them was killing the stage level and ripping the faces off the punters. 1st of all, I'm free of guilt as I always bring an attenuator to gigs. BUT stage level, and level in general :lol: , has always been part of live music experience. From the moment you have a ...

that's what I do too. I gig with a Quad Cortex AND my amp. signal spplited in the device before the amp block and sent out to the amp. amp block is a capture of the very amp I play, and I use it via an XLR out to feed a little mixer where I do my own mix with my guitar, my vocals (also coming from ...

That may also be because you’re comparing fried eggs with boiled eggs: they’re not the same meal despite both being eggs

Your amp sounds like an amp. Your modeler sound like a mic’d amp through monitors.

That subject is like everything: there are good modelers and bad ones, and fellows who know how to use and fellows who don’t. Rival Sons guitar player has done their last tour with a Helix and a Seymour Duncan power stage (plus dozens of midi controlled pedals), and he sounded as good as the other 2 ...

I've found this video. I'd really love to hear one of this.

https://www.youtube.com/watch?v=GS4iMvKeyUQ

I'd say if you guys already have the gear keep with it. if you have to invest go for the wireless, in ear, tablet based, digital amp, etc.

apart of the benefits of reducing the overall weight of what you're carrying, once you get used to it it makes the job easier.

Or you could destroy your credit card like I did last year and end up with the Yamaha dm3s as your audio interface, mixer and control surface all in one compact unit. I use Reaper rather than cubase but did download the included cubase AI that you get bundled with the mixer just to look at the daw ...

If more faders are your thing then there's also the S1, and I do keep toying with the idea of adding one to my setup, but the Dock is a powerful bit of kit even on its own. I must add that having 2 S1's made me get rid of the S1 (but still using the wonderful Avid control iOs app). as for knobs ...

given Cubase integration with Eucon, you will not find a controller that can do more things and more customizable than Avid Dock.

if you don't need that much, SSL UF1, presonus faderport...