DIY 500 series
DIY 500 series
Hi,
I'm really interested in building some DIY 500 series modules - I'm pretty good with a soldering iron and I'd really like more audio gear!
I like the look of the DIYRE colour modules (https://www.diyrecordingequipment.com/) and I think I might start with their 70's colour pallet.
I'm just wondering about chassis/racks. I'm after something fairly low cost and with a small amount of slots (I'm happy to upgrade later on).
I've seen the following on DV247 and I'm just wondering if this would be a good place to start of if something else would be better?
http://www.dv247.com/studio-equipment/lindell-audio-503-power-3-slot-500-series-power-supply--208494
I'm really interested in building some DIY 500 series modules - I'm pretty good with a soldering iron and I'd really like more audio gear!
I like the look of the DIYRE colour modules (https://www.diyrecordingequipment.com/) and I think I might start with their 70's colour pallet.
I'm just wondering about chassis/racks. I'm after something fairly low cost and with a small amount of slots (I'm happy to upgrade later on).
I've seen the following on DV247 and I'm just wondering if this would be a good place to start of if something else would be better?
http://www.dv247.com/studio-equipment/lindell-audio-503-power-3-slot-500-series-power-supply--208494
- dazzathedrummer
Poster - Posts: 59 Joined: Fri Sep 02, 2005 12:00 am Location: Cambridgeshire, UK
DazzatheDrummer
Re: DIY 500 series
We've got one of https://www.thomann.de/gb/fredenstein_bento_6s.htm?ref=search_rslt_500+series+rack_404003_2 in our classroom studio.
You get a bit more for your money and we've not had any problems with it.
You get a bit more for your money and we've not had any problems with it.
Re: DIY 500 series
MarkPAman wrote:We've got one of https://www.thomann.de/gb/fredenstein_bento_6s.htm?ref=search_rslt_500+series+rack_404003_2 in our classroom studio.
You get a bit more for your money and we've not had any problems with it.
That looks great - Thanks!
- dazzathedrummer
Poster - Posts: 59 Joined: Fri Sep 02, 2005 12:00 am Location: Cambridgeshire, UK
DazzatheDrummer
Re: DIY 500 series
That Fredenstein Bento 6S does look much better value.
However, every time I entertain starting a 500 rack system (and yes, I'd start with one or perhaps two of the bargain DIYRE colour modules), I think about spending nearly £300 on a PSU/Case and bottle out
Martin
However, every time I entertain starting a 500 rack system (and yes, I'd start with one or perhaps two of the bargain DIYRE colour modules), I think about spending nearly £300 on a PSU/Case and bottle out
Martin
- Martin Walker
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Re: DIY 500 series
Martin Walker wrote:That Fredenstein Bento 6S does look much better value.
However, every time I entertain starting a 500 rack system (and yes, I'd start with one or perhaps two of the bargain DIYRE colour modules), I think about spending nearly £300 on a PSU/Case and bottle out
Martin
Yeah, I know what you mean!
The PSU is a necessary evil and I'm justifying the whole thing by not buying SSL modules!
...well not yet anyway
Seriously though, I love the whole pick'n'mix thing going on with the DIY audio gear - I'm hoping I can get into this and build some nice sounding things!
- dazzathedrummer
Poster - Posts: 59 Joined: Fri Sep 02, 2005 12:00 am Location: Cambridgeshire, UK
DazzatheDrummer
Re: DIY 500 series
Martin Walker wrote:I think about spending nearly £300 on a PSU/Case and bottle out
What an opportune time for a review. Better yet, a head to head comparison so everyone on the crew can get the discount.
-
- Guest271017
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Re: DIY 500 series
Martin Walker wrote:
However, every time I entertain starting a 500 rack system (and yes, I'd start with one or perhaps two of the bargain DIYRE colour modules), I think about spending nearly £300 on a PSU/Case and bottle out
Martin
That sure has slowed me down too, though I WILL build a couple Hairball Lola pres this summer!
- resistorman
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"The Best" piece of gear is subjective.
Re: DIY 500 series
Hi There, I have gone crazy for the DIY 500 series format - I love it - so hopefully this will be of some help.
As stated above the Fredenstien Bento 6/10 chassis offer the best vfm - I have the 10 and its been faultless in operation however there is an alternative that while has a higher initial outlay should save money in the long run, when you get bitten by the bug and want to keep building - it happens...
I have been through the build of a load of this kit and one guy stands out above the rest for quality of module and that is:
http://www.capi-gear.com
They do a chassis and a floor box psu that can power 2 chassis
http://capi-gear.com/catalog/product_in ... cts_id=367
and
http://capi-gear.com/catalog/product_in ... cts_id=358
I think these worked out cheaper per slot than the Fredensteins last time I looked but the exchange rate may have killed that now
There is also the Lindell Audio 510 power option and SMpro audio do the juice/rack/box series as cheaper alternatives
@ CAPI-gear Jeff Steigers modules are based on classic API designs and sound superb.
I did a review of my VP28 build here:
http://www.soundonsound.com/forum/viewt ... 27&t=32088
The other 2 guys you're going to want to check out are Soundskulptor and JLM audio
The Soundskulptor kits are and absolute dream to build and they do a full range of preamps, a compressor, eq and rather nice looking tape sim, they also do a single slot enclosure if you just want to try your hand - its also really useful for testing so you don't risk blowing your expensive 10 slot chassis
JLM Audio are based in Aus and their LA500 kit is fantastic and a pretty easy build to boot.
Then have a look at Hairball Audio as previously mentioned and The Don Classics who have a really nice looking GML type eq
In case you have any direct questions about specifics my setup is as follows:
Homemade 11 up rack + Fredenstein Bento 10
2 x CAPI VP312
2 x CAPI VP26
2 x CAPI VP28
1 x CAPI VP25
2 x CAPI FC526
2 x CAPI LC53A
2 x Soundskulptor MP573
1 x Soundskulptor EQ573
1 x JLM Audio LA500
Good luck, but you can quite easily get hooked on this stuff- you have been warned..
As stated above the Fredenstien Bento 6/10 chassis offer the best vfm - I have the 10 and its been faultless in operation however there is an alternative that while has a higher initial outlay should save money in the long run, when you get bitten by the bug and want to keep building - it happens...
I have been through the build of a load of this kit and one guy stands out above the rest for quality of module and that is:
http://www.capi-gear.com
They do a chassis and a floor box psu that can power 2 chassis
http://capi-gear.com/catalog/product_in ... cts_id=367
and
http://capi-gear.com/catalog/product_in ... cts_id=358
I think these worked out cheaper per slot than the Fredensteins last time I looked but the exchange rate may have killed that now
There is also the Lindell Audio 510 power option and SMpro audio do the juice/rack/box series as cheaper alternatives
@ CAPI-gear Jeff Steigers modules are based on classic API designs and sound superb.
I did a review of my VP28 build here:
http://www.soundonsound.com/forum/viewt ... 27&t=32088
The other 2 guys you're going to want to check out are Soundskulptor and JLM audio
The Soundskulptor kits are and absolute dream to build and they do a full range of preamps, a compressor, eq and rather nice looking tape sim, they also do a single slot enclosure if you just want to try your hand - its also really useful for testing so you don't risk blowing your expensive 10 slot chassis
JLM Audio are based in Aus and their LA500 kit is fantastic and a pretty easy build to boot.
Then have a look at Hairball Audio as previously mentioned and The Don Classics who have a really nice looking GML type eq
In case you have any direct questions about specifics my setup is as follows:
Homemade 11 up rack + Fredenstein Bento 10
2 x CAPI VP312
2 x CAPI VP26
2 x CAPI VP28
1 x CAPI VP25
2 x CAPI FC526
2 x CAPI LC53A
2 x Soundskulptor MP573
1 x Soundskulptor EQ573
1 x JLM Audio LA500
Good luck, but you can quite easily get hooked on this stuff- you have been warned..
Re: DIY 500 series
Bear in mind that 500 rack systems from different manufacturers often provide different (and not always compatible) features and facilities. There is supposed to be a 'standard', and API head up the VPR alliance to try to maintain standard compatibility... but several manufacturers have chosen to leave the path and 'improve' things in various ways. Whether this is good or bad depends on your point of view, but it is certainly something to be aware of when choosing rack systems...
In particular, the compressor side-chain linking facilities vary a bit between different racks, and some manufacturers re-allocate one or two of the edge connector pins for alternative purposes -- like Radial's Omniport or Fredensein's aux I/O facility, or Wes Audio's USB port. Modules that rely on these facilities obviously won't work correctly in frames from alternative manufacturers.
There can also be some mechanical slot size discrepancies, and some offer greater module current capacity than others, too.
And then there's the connectivity: some have analogue D-Sub connectors as well as, or instead of, XLRs for the module I/Os, and some have built-in facilities for rear-panel daisy-chain linking between adjacent modules, and some even have built-in A-D/D-A stages and ADAT connectivity...
So don't assume a rack is just a rack... choose carefully and be aware that you may end up needing a couple of racks from different manufacturers.
H
In particular, the compressor side-chain linking facilities vary a bit between different racks, and some manufacturers re-allocate one or two of the edge connector pins for alternative purposes -- like Radial's Omniport or Fredensein's aux I/O facility, or Wes Audio's USB port. Modules that rely on these facilities obviously won't work correctly in frames from alternative manufacturers.
There can also be some mechanical slot size discrepancies, and some offer greater module current capacity than others, too.
And then there's the connectivity: some have analogue D-Sub connectors as well as, or instead of, XLRs for the module I/Os, and some have built-in facilities for rear-panel daisy-chain linking between adjacent modules, and some even have built-in A-D/D-A stages and ADAT connectivity...
So don't assume a rack is just a rack... choose carefully and be aware that you may end up needing a couple of racks from different manufacturers.
H
- Hugh Robjohns
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In my world, things get less strange when I read the manual...
Re: DIY 500 series
jaminem wrote:Hi There, I have gone crazy for the DIY 500 series format - I love it - so hopefully this will be of some help.
Thanks for the information, I'll have good look through that at the weekend - I had a quick look at the CAPI website and that looks like a great resource!
- dazzathedrummer
Poster - Posts: 59 Joined: Fri Sep 02, 2005 12:00 am Location: Cambridgeshire, UK
DazzatheDrummer
Re: DIY 500 series
Hugh Robjohns wrote:Bear in mind that 500 rack systems from different manufacturers often provide different (and not always compatible) features and facilities.
Thanks for pointing that out - I've just looked into it and discovered that there is an API 'VPR' format and a '51X' format. It looks like the 51X is better for DIY gear.
I've sent a message to DIYRE asking if the Fredenstein rack is compatible with their modules. The Fredenstein website says 'API-500' compatible and the DIYRE site says '500 series' compatible.
I can see that the Fredenstein rack has 15 pin connectors, I'm not sure about the DIYRE colour pallets though, although, I think they may have been designed for the API format and before the 51X format came about - I'll wait to hear back from them.
I'm pretty sold on getting the DIYRE units as a first go and I don't mind have a 6 slot rack dedicated to just those if I have to (although I suspect there are more that will fit).
Thanks for the heads up!
- dazzathedrummer
Poster - Posts: 59 Joined: Fri Sep 02, 2005 12:00 am Location: Cambridgeshire, UK
DazzatheDrummer
Re: DIY 500 series
resistorman wrote:Martin Walker wrote:
However, every time I entertain starting a 500 rack system (and yes, I'd start with one or perhaps two of the bargain DIYRE colour modules), I think about spending nearly £300 on a PSU/Case and bottle out
Martin
That sure has slowed me down too, though I WILL build a couple Hairball Lola pres this summer!
Hi resistorman!
Just investigated the Hairball Audio Lola preamp kits, and they do indeed look (and apparently sound) most impressive.
There's a well-written review in Tape OP here if anyone else wants to explore:
http://tapeop.com/reviews/gear/93/lola- ... ic-preamp/
Martin
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Re: DIY 500 series
dazzathedrummer wrote:Hugh Robjohns wrote:Bear in mind that 500 rack systems from different manufacturers often provide different (and not always compatible) features and facilities.
Thanks for pointing that out - I've just looked into it and discovered that there is an API 'VPR' format and a '51X' format. It looks like the 51X is better for DIY gear.
I've sent a message to DIYRE asking if the Fredenstein rack is compatible with their modules. The Fredenstein website says 'API-500' compatible and the DIYRE site says '500 series' compatible.
I can see that the Fredenstein rack has 15 pin connectors, I'm not sure about the DIYRE colour pallets though, although, I think they may have been designed for the API format and before the 51X format came about - I'll wait to hear back from them.
I'm pretty sold on getting the DIYRE units as a first go and I don't mind have a 6 slot rack dedicated to just those if I have to (although I suspect there are more that will fit).
Thanks for the heads up!
I can answer that for you. 51x are not compatible with any of the mainstream racks. They use a different voltage and edge connector. You want VPR alliance stuff. If you intend to build your own rack then you can opt for 51x style but tbh it's going to limit your choices later on. VPR alliance is the norm with all of the main manufacturers of 500 series. Only a few diy companies offer 51x
Re: DIY 500 series
dazzathedrummer wrote:Thanks for pointing that out - I've just looked into it and discovered that there is an API 'VPR' format and a '51X' format. It looks like the 51X is better for DIY gear.
Hmmm... not sure I'd reach the same conclusion!
The 51X format extends the API VPR format by using 18-way edge-connector sockets which allow additional +/-24V power rails in addition to the 500-series standard +/-16V rails.
CAPI claim you can plug most -- but not all -- standard 500-series (or API-500, if you prefer
I've sent a message to DIYRE asking if the Fredenstein rack is compatible with their modules. The Fredenstein website says 'API-500' compatible and the DIYRE site says '500 series' compatible.
I don't think you'll have any problem there.
H
Last edited by Hugh Robjohns on Sat May 20, 2017 12:32 pm, edited 1 time in total.
- Hugh Robjohns
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Posts: 43691 Joined: Fri Jul 25, 2003 12:00 am
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(But generally posting my own personal views and not necessarily those of SOS, the company or the magazine!)
In my world, things get less strange when I read the manual...
(But generally posting my own personal views and not necessarily those of SOS, the company or the magazine!)
In my world, things get less strange when I read the manual...
Re: DIY 500 series
I am one of the originators of GDIY 51X - 511 format. It was a three way joint venture among Volker in Germany, Jeff (CAPI) in US and myself in the UK. After selling over 500 units worldwide we parted company and went our own way.
GDIY51X is essentially 500 standard with added + -24V operation. API's original 500 format uses 15 pin card edge connector. We increased that to 18 pin for additional 24V operation. Otherwise there is no change to API's original 500 pin configuration and you can use standard 500 modules without any worry.
Our current version (TAC511) that Graham (Langley) and I came up with has comprehensive signal splitting and routing facilities with unbalanced/balanced insert points. Currently there is no other 500 series rack offers the facilities and the flexibility that our rack offers.
Even the better side is that you do not have to upgrade every single slot. You start with the basic version with the main XLR in/outs. Then work out your signal chain and upgrade the slots needed upgrading. As well as 11 slot we also have 6, 3 and 1 slot.
On our web site we sell the built/tested version but the kits are sold through GroupDIY.
https://groupdiy.com/index.php?topic=52462.0
I am conscious of the fact that I have to be careful not to appear to be directly pitching for sale here so I will not mention figures but I am happy to answer all your diy related questions as best as I can.
GDIY51X is essentially 500 standard with added + -24V operation. API's original 500 format uses 15 pin card edge connector. We increased that to 18 pin for additional 24V operation. Otherwise there is no change to API's original 500 pin configuration and you can use standard 500 modules without any worry.
Our current version (TAC511) that Graham (Langley) and I came up with has comprehensive signal splitting and routing facilities with unbalanced/balanced insert points. Currently there is no other 500 series rack offers the facilities and the flexibility that our rack offers.
Even the better side is that you do not have to upgrade every single slot. You start with the basic version with the main XLR in/outs. Then work out your signal chain and upgrade the slots needed upgrading. As well as 11 slot we also have 6, 3 and 1 slot.
On our web site we sell the built/tested version but the kits are sold through GroupDIY.
https://groupdiy.com/index.php?topic=52462.0
I am conscious of the fact that I have to be careful not to appear to be directly pitching for sale here so I will not mention figures but I am happy to answer all your diy related questions as best as I can.
Last edited by Sahib on Sat May 20, 2017 1:20 pm, edited 2 times in total.
Re: DIY 500 series
dazzathedrummer wrote:Hi,
I'm really interested in building some DIY 500 series modules - I'm pretty good with a soldering iron and I'd really like more audio gear!
Damn you, Daz, for getting my interest going again
Thanks to all for your links and comments
Hey Martin, hi yerself! I'll post on here when I get those Lolas built, probably be a month or two.
- resistorman
Frequent Poster - Posts: 2987 Joined: Sun Nov 22, 2015 12:00 am Location: Asheville NC
"The Best" piece of gear is subjective.
Re: DIY 500 series
Sahib wrote:I am one of the originators of GDIY 51X - 511 format. It was a three way joint venture among Volker in Germany, Jeff (CAPI) in US and myself in the UK. After selling over 500 units worldwide we parted company and went our own way.
GDIY51X is essentially 500 standard with added + -24V operation. API's original 500 format uses 15 pin card edge connector. We increased that to 18 pin for additional 24V operation. Otherwise there is no change to API's original 500 pin configuration and you can use standard 500 modules without any worry.
Our current version (TAC511) that Graham (Langley) and I came up with has comprehensive signal splitting and routing facilities with unbalanced/balanced insert points. Currently there is no other 500 series rack offers the facilities and the flexibility that our rack offers.
Even the better side is that you do not have to upgrade every single slot. You start with the basic version with the main XLR in/outs. Then work out your signal chain and upgrade the slots needed upgrading. As well as 11 slot we also have 6, 3 and 1 slot.
On our web site we sell the built/tested version but the kits are sold through GroupDIY.
https://groupdiy.com/index.php?topic=52462.0
I am conscious of the fact that I have to be careful not to appear to be directly pitching for sale here so I will not mention figures but I am happy to answer all your diy related questions as best as I can.
Sahib- wow, can't believe I've missed this, well actually I can since I've been sorting the studios acoustics, but this is great news to hear you have these available I will be in touch in due course I'm sure!!!
Re: DIY 500 series
Lots of great stuff here - I'll run through it all before I buy anything.
I'm not sure that I'm good enough yet to think about building a rack so I'll probably start with the Bento box.
I'm intending to start teaching music production later on this year using the new RSL Music Production syllabus as a basis. The syllabus includes lots of hardware and my current set up is entirely in-the-box so I'm looking for a cheap way of getting some hardware together that will also give me an insight as to what's actually going on inside it.
Ideally I'd like at least an EQ and a compressor but I think I'll start with one of those Colour Palettes as there's a lot of opportunity to get my soldering up to speed and learn more about audio circuits.
I'm not sure that I'm good enough yet to think about building a rack so I'll probably start with the Bento box.
I'm intending to start teaching music production later on this year using the new RSL Music Production syllabus as a basis. The syllabus includes lots of hardware and my current set up is entirely in-the-box so I'm looking for a cheap way of getting some hardware together that will also give me an insight as to what's actually going on inside it.
Ideally I'd like at least an EQ and a compressor but I think I'll start with one of those Colour Palettes as there's a lot of opportunity to get my soldering up to speed and learn more about audio circuits.
- dazzathedrummer
Poster - Posts: 59 Joined: Fri Sep 02, 2005 12:00 am Location: Cambridgeshire, UK
DazzatheDrummer
Re: DIY 500 series
dazzathedrummer wrote:Ideally I'd like at least an EQ and a compressor but I think I'll start with one of those Colour Palettes as there's a lot of opportunity to get my soldering up to speed and learn more about audio circuits.
Talking of the DIYRE colour modules, don't rule out their own recent release of a Pultec EQ (with or without vintage output tone add-on). It does look rather interesting, and Pultec designs tend to sound REALLY musical!

https://www.diyrecordingequipment.com/p ... ive-eq-kit
Martin
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Re: DIY 500 series
Martin Walker wrote:dazzathedrummer wrote:Ideally I'd like at least an EQ and a compressor but I think I'll start with one of those Colour Palettes as there's a lot of opportunity to get my soldering up to speed and learn more about audio circuits.
Talking of the DIYRE colour modules, don't rule out their own recent release of a Pultec EQ (with or without vintage output tone add-on). It does look rather interesting, and Pultec designs tend to sound REALLY musical!
https://www.diyrecordingequipment.com/p ... ive-eq-kit
Martin
YES! - This does look really good and I'm not sure if I should go for this first.....then I also spotted that they have a DIY analogue summing mixer that could be fun.....but then i'd need to buy two mic pres...
...I don't know where to start and I'm getting a 'gear-headache'!
- dazzathedrummer
Poster - Posts: 59 Joined: Fri Sep 02, 2005 12:00 am Location: Cambridgeshire, UK
DazzatheDrummer
Re: DIY 500 series
dazzathedrummer wrote:Lots of great stuff here - I'll run through it all before I buy anything.
I'm not sure that I'm good enough yet to think about building a rack so I'll probably start with the Bento box.
I'm intending to start teaching music production later on this year using the new RSL Music Production syllabus as a basis. The syllabus includes lots of hardware and my current set up is entirely in-the-box so I'm looking for a cheap way of getting some hardware together that will also give me an insight as to what's actually going on inside it.
Ideally I'd like at least an EQ and a compressor but I think I'll start with one of those Colour Palettes as there's a lot of opportunity to get my soldering up to speed and learn more about audio circuits.
Bento box is definitely a good value for money.
Building a rack should not frighten you. In contrary it is the one that you should start with.
However, the best way to sharpen up your soldering skills is to pay a visit to your local civic amenity and grab a few dumped hi-fi. Remove the boards and desolder/resolder the components. Great practice.
Since you are planning to go into teaching this could also be a cheap way of building your workbench. You will be surprised with the amount of stuff dumped that actually works. Particularly speakers. You don't have to use your valuable monitors for mundane testing. If they get blown, not a big deal. Go back and grab another pair.
I am terrible at this. Everytime I go to dump some refuse I can't help at least having a look around. Last year I picked up a Technics amp/tuner with surround sound. Not only there is nothing wrong with it, but it is also in mint condition. Pity that I could not find the remote control. A couple of weeks ago I picked up a Laney solid state guitar amp. The clean channel works perfectly but the drive channel is faulty. So when I have a bit of a spare time I'll fix it.
Last edited by Sahib on Sun May 28, 2017 9:47 pm, edited 1 time in total.
Re: DIY 500 series
Martin Walker wrote:That Fredenstein Bento 6S does look much better value.
However, every time I entertain starting a 500 rack system (and yes, I'd start with one or perhaps two of the bargain DIYRE colour modules), I think about spending nearly £300 on a PSU/Case and bottle out
Martin
I only know the 500 'system' from what I have deduced from SoS reviews but it seems to me you only need a pair of ~ 16V SMPSUs (or make a 50Hz, toroid jobbie), an edge connector and some XLR etc I/O? Bolt that into a handy chassis and you can get started with the kits.
Once you have two or three modules working you would get the incentive to case them elegantly?
Dave.
Re: DIY 500 series
got the bento 6s myself. agree with Martin: worst thing of "starting" with 500 series is the idea of having to "waste" 300 in the PSU.
fortunately a company bonus helped me get over it
fortunately a company bonus helped me get over it
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