My Yamaha CS01, which I bought brand new in the 80s and have loved dearly ever since. Recently brought out of semi-retirement to play bagpipe-like drones in my current band, which is a kind of only-slightly-plugged-electro-folk-rock, er, thing. I get to wear it like a keytar, too, 'cos of its strap buttons and placed-for-this-purpose bender and mod wheels. Actually, this has just inspired another post...
The Elf wrote: ...and I miss my MKS-70, which is still very ill indeed. Maybe time to scour eBay again.
I miss mine too, but sold it as I had a JX-8P (with PG800) and needed the space. They're VERY similar sounding, but not exact. Of course, the MKS is like having 2x JX-8P's
1-Fender Vibrosonic Reverb guitar amp from '74,warm,creamy,softly jazzy sound-i love this one!After few chords from it's 15"speaker,i always feel better.
2-Fender Stratocaster '79,very god one,my favorite guitar from young days.I will never sold this one.
3-Studiomaster Trackmix 24-in very good condition,warm,musically eq,I like the sound from.
4-Arp Solus analog synth.What can i say,little toy for big boy,very good condition,WARM,FAT,INSPIRATIVE! I'm happy with it!
Of the stuff I own, the Fender Chroma. It still sounds great and is still inspiring.
Like a couple of other people, I used to run a Yamaha CX5M, I had the composer software with the music staves, the SFG05 synth board with editor and a floppy disc drive - I got a lot of use out of it. I've thought about picking one up, but haven't because I remember the sequencer having terrible laggy timing, and also because I have a Yamaha FB01, which has the exact same tone generator in it that's in the CX5.
I love my Pro-one. Having said that I may have voted for my late lamented SH101 if I still had it! Not as much power but arguably more fun ......Pro one makes some amazing sounds though (or should that be noise!)
Just got the Pro-One back this weekend after a bit of TLC from James at Synth Repair Services. I know in this company I hardly need sing his praises but for anybody looking for synth repairs etc, look no further!
didn't realize a K2000R would count as "vintage" already, but if it does, then I have several items of similar age.
Among which:
-K2000RS (and now you know where my username comes from )
-Yamaha SY55
-Alesis Quadrasynth
-Korg Poly 800 (with inverted keyboard)
And of course, although not Vintage, but sounds like: my MOTM modular synth.
fatbenelton wrote:Just got the Pro-One back this weekend after a bit of TLC from James at Synth Repair Services. I know in this company I hardly need sing his praises but for anybody looking for synth repairs etc, look no further!
Good to hear he's got your Pro-One sorted. I hope he's pretty near starting my Polivoks...it's been there since August sometime.
I guess you can't really rely on that damn Soviet technology. Sounds good though.
If I had just a little more rack space it would be one of the first things I'd re-buy. Sort of a digital Mellotron with grit! I sold it to get rid of all those crappy little external power supplies, but I'll admit I would put up with that inconvenience to have it around again.
Good to see a few Pro-One fans around. Its keyboard is notoriously unreliable - and the clatteriest, most dreadful key action of any keyboard I ever used. But hang a Pro-One from a MIDI-CV it takes some beating. Bass is stunningly powerful, leads are searing and it never fails to impress when something 'special' is needed. I love my MiniMoog, but the Pro-One gets more use. If you want a sequence to cut through a mix, just dial up a Pro-One patch with some oscillator sync and it carves through guitars like a laser.
nathanscribe wrote:
The Mirage is also up there, despite not getting much use these days - I think it sounds fantastic, and if it keels over, I'm getting another.
I have a 1973 Gibson Les Paul Signature - I think Gibson only ever made 1500 or so. It's beaten every guitar it's gone one-on-one against for sound hands down. Had it for 25 years.
Looks just like this...
That and my Oberheim Matrix 6R which will soon resume its rightful place rigged up to a guitar synthesiser again.