Best Microphone for an acoustically harsh environment?

Discuss hardware/software tools and techniques involved in capturing sound, in the studio, live or on location.
Post Reply

Best Microphone for an acoustically harsh environment?

Post by StrykerTim »

I have a very unique scenario that I would like some professional input on. I work for a medical manufacturer who manufactures video and audio routers for operating theaters. Traditionally we have used headworn / lapel mics to grab a surgeons voice and minimize ambient noise. Recently there has been a huge increase in the number of surgeons requesting "open mics". As you can imagine, an operating room will be very difficult to mic. All surfaces are non-porus, HVAC function is elevated to provide positive pressure, and anesthesia equipment is constantly providing various alarms and med gas noise. We have tried shotgun mics with limited success. The problem withthe shotgun mic is that the surgical team moves around constantly which makes it difficult to "aim" the mic correctly. I am hoping someone may have some good suggestions on commercially available microphones or signal conditioning equipment that may help.

Thanks in advance for any help you can offer!

Tim Frye
Stryker - USA
StrykerTim
Posts: 3 Joined: Wed Feb 06, 2013 12:00 am

Re: Best Microphone for an acoustically harsh environment?

Post by Hugh Robjohns »

There are some effective noise reduction systems -- the CEDAR DN1000 and related models, for example -- that some broadcasters use in situations involving high ambient background noise. However, the results vary wildly depending on circumstances and the boxes aren't cheap.

Close miking -- headworn or lapel mics -- is the best bet. Get the mic as close to the source as possible, maximising the direct sound and minimising the ambient sound. Always the best solution.

Gun mics have higher directivity and so can be placed further away for the same ambient noise level as a less directional mic placed closer, but the difference in distance is no more than a factor of 2. So in reality, with moving ssound source targets, the only way to make gun mics work is to have someone move them -- which is why TV and Film have 'boom swingers' to do the job.

I know lots of sound recordists that have worked on medical TV programmes involving operating theatres, and lapel mics (the look of headset mics being unpopular with the directors) or actively positioned mics on booms are the preferred solutions.

Hugh
User avatar
Hugh Robjohns
Moderator
Posts: 43693 Joined: Fri Jul 25, 2003 12:00 am Location: Worcestershire, UK
Technical Editor, Sound On Sound...
(But generally posting my own personal views and not necessarily those of SOS, the company or the magazine!)
In my world, things get less strange when I read the manual... 

Re: Best Microphone for an acoustically harsh environment?

Post by StrykerTim »

Thanks Hugh! It looks like Cedar has a pretty nice product line. I think we will look into the "DNS 8 Live", maybe it will be a better performer than the Polycom Vortex or BiAmp Nexia products. I know this sounds a little bit like science fiction, but do you have any experience with the "throat mics" similar what military personnel may wear. I admit I have only seen them on TV but they do not look like props. A web search only reveals a few actual products. It seems like a great idea if you could utilize smaller transducers to pick up voice quality audio. I think the reduction in fidelity might be a good trade-off for the ability to speak relatively quitely ann still maintain a high degree of intelligibility. Thanks again for the response!
StrykerTim
Posts: 3 Joined: Wed Feb 06, 2013 12:00 am

Re: Best Microphone for an acoustically harsh environment?

Post by Hugh Robjohns »

StrykerTim wrote:do you have any experience with the "throat mics" similar what military personnel may wear.

Some experience. They are useful for hands-free communications purposes in noisy environments, but the the quality of the ones I've tried (admittedly a decade or two ago) was very poor in comparison to 'normal' broadcast-standard voice quality. They are, in essence, 'contact mics' -- and the throat doesn't make a very good sounding board!

However, I understand that there aer some throat mic designs now available for the iPhone and some internet gaming consoles, so maybe the technology is getting better... or at least cheaper!

Probably worth a try for your application, but i have no recommendations, I'm afraid.

H
User avatar
Hugh Robjohns
Moderator
Posts: 43693 Joined: Fri Jul 25, 2003 12:00 am Location: Worcestershire, UK
Technical Editor, Sound On Sound...
(But generally posting my own personal views and not necessarily those of SOS, the company or the magazine!)
In my world, things get less strange when I read the manual... 

Re: Best Microphone for an acoustically harsh environment?

Post by John Willett »

StrykerTim wrote:I have a very unique scenario that I would like some professional input on. I work for a medical manufacturer who manufactures video and audio routers for operating theaters. Traditionally we have used headworn / lapel mics to grab a surgeons voice and minimize ambient noise. Recently there has been a huge increase in the number of surgeons requesting "open mics". As you can imagine, an operating room will be very difficult to mic. All surfaces are non-porus, HVAC function is elevated to provide positive pressure, and anesthesia equipment is constantly providing various alarms and med gas noise. We have tried shotgun mics with limited success. The problem withthe shotgun mic is that the surgical team moves around constantly which makes it difficult to "aim" the mic correctly. I am hoping someone may have some good suggestions on commercially available microphones or signal conditioning equipment that may help.

Thanks in advance for any help you can offer!

Tim Frye
Stryker - USA

The solution may be the Gefell KM 907.

Image

Image
Image

This has a cardioid response in the horizontal plane but a very narrow vertical angle.

As the mic. is about $12,000 in the USA, it may be an idea to hire rather than buy.

But it works very well in acoustically nasty environments and still works with people moving around.
User avatar
John Willett
Longtime Poster
Posts: 7297 Joined: Tue Mar 07, 2000 12:00 am Location: Oxfordshire UK
John
Sound-Link ProAudio
Circle Sound Services
Sound-Link are UK Distributors for: Microtech Gefell, ME-Geithain, AETA, HUM, Håkan, Meyer Turtle

Re: Best Microphone for an acoustically harsh environment?

Post by Guy Johnson »

A Bose stick in 'reverse'.
User avatar
Guy Johnson
Frequent Poster
Posts: 1336 Joined: Fri May 02, 2003 12:00 am Location: North Pembrokeshire
This is my few words.

Re: Best Microphone for an acoustically harsh environment?

Post by Hugh Robjohns »

John Willett wrote:The solution may be the Gefell KM 907.

I doubt it, personally, because while it has very narrow vertical directivity, it is still very broad horizontally and I think it would be difficult (if not impossible) to exclude all the noises sources the OP describes.

It is a very clever mic, though, and there are certainly some applications where it does a fantastic job. I reviewed the original version for a broadcast magazine HERE a few years ago.

hugh
User avatar
Hugh Robjohns
Moderator
Posts: 43693 Joined: Fri Jul 25, 2003 12:00 am Location: Worcestershire, UK
Technical Editor, Sound On Sound...
(But generally posting my own personal views and not necessarily those of SOS, the company or the magazine!)
In my world, things get less strange when I read the manual... 

Re: Best Microphone for an acoustically harsh environment?

Post by StrykerTim »

It does look like a very cool mic. The problem is (jsut to make thing s bit more complicated)that we need it to mount on a wall or ceiling mounted boom. We do this to try and keep it out of reach of the cleaning staff who love to spray everythign with a mixture of either bleach or alchohol. I will check out the companies website. We can definitely use a microphone like this one in conference room settings or possibly even surgeon dictation.

Thanks again for all the help guys! I think I will order one of the cheaper "throat contact microphnes" and see what the verdict is. I agree with Hugh that the poor quality might be an issue since we use alot of voice recognition in surgery. I will keep everyone updated!

Thanks again!

Tim
StrykerTim
Posts: 3 Joined: Wed Feb 06, 2013 12:00 am
Post Reply