Technical Editor, Sound On Sound...
(But generally posting my own personal views and not necessarily those of SOS, the company or the magazine!)
In my world, things get less strange when I read the manual...
It's also got a synth engine in it, as well as all those extra key sensors, which is why it needs an external PSU. Maybe ask them if they'll do a 5-octave version without the synth engine that's just USB powered?
So Mr Elf - why 5 octaves? Do you find you need to play bottom end and high end at the same time? Or is hitting an octave transpose button an irritation?
Just curious.
ManFromGlass wrote:So Mr Elf - why 5 octaves? Do you find you need to play bottom end and high end at the same time? Or is hitting an octave transpose button an irritation?
Just curious.
Can't speak for Mr. Elf but I find a keyboard with 5 octaves to be twice as practical to play as one with 4. Bass drones/left hand stuff under a right hand lead/chords is much easier than having to repy on sustain pedal or contorted fingering to hold keys down while scrumbling for an octave up/down button as well.
Add in some widdly-widdly wakeman-esque lead parts and you'll need more than 4 octaves too. Most (decent) synths have patches offering different characteristics at the extremes of the keyboard and 4/5 octave keyboards simply hide a lot of that from you unless you go looking for it.
Then there're splits of course. The more octaves the better!
Last edited by Eddy Deegan on Mon Nov 25, 2019 1:13 pm, edited 3 times in total.
Technical Editor, Sound On Sound...
(But generally posting my own personal views and not necessarily those of SOS, the company or the magazine!)
In my world, things get less strange when I read the manual...
Same here. I was a whisker away from pre-ordering to get the discount but then realised that although it looks amazing, it's likely the forerunner of more of the same and I too want more keys on something like that.
In this case I'd rather wait and get something ideal (and likely more expensive) than be an early adopter and compromise. I am glad to see they are doing well in interest at this point; their generous 'early bird' discounts have sold out, although there is still a 33% discount until the end of December.
Last edited by Eddy Deegan on Tue Dec 03, 2019 4:38 pm, edited 1 time in total.
Hugh Robjohns wrote:Yes, hugely impressive and tempting... but I want five octaves! Anything less is too much of a performance compromise for two-handed playing!
And if the idea is to restrict it to one hand, three octaves would be more practical and more affordable...
Interesting you say this Hugh. I have a small Roland keytar (3 octaves?) in my studio. I justify it by telling myself on an 88 keybed it is too easy to bang out big block chords and boom your cue or composition is done. With this restriction I am forced to think more about low, mid and high instruments. This has been useful particularly for orchestral or denser writing. Not having training in those areas I have found this a good compromise for me.
But every now and then one just wants to instantly be bathed in the glory of a monster chord!
ManFromGlass wrote:I have a small Roland keytar (3 octaves?) in my studio. I justify it by telling myself on an 88 keybed it is too easy to bang out big block chords and boom your cue or composition is done. With this restriction I am forced to think more about low, mid and high instruments. This has been useful particularly for orchestral or denser writing. Not having training in those areas I have found this a good compromise for me.
Interesting!
On various occasions I've used my tiny 2-octave Novation 25SL MkII keyboard (normally for editing/correction purposes only) to play in individual monophonic parts to build up orchestral string arrangements, and it's worked really well.
Meanwhile, on polyphonic synths I can only really enjoy 5-octave keyboards (preferably with a selection of real-time performance controls), while for playing piano only my 88-key controller gets used.
I must admit, this looks very tempting, I'm trying to imagine it turning any synth into my Animoog in real life, but is it? could it? can it? will it? should it?