In Bangladesh, India, Pakistan, Far East, Middle East, virtuosity on an instrument is venerated.
In India some consider musical virtuosos as gods.
Giving the term Pandit, Ustad to their musical virtuosos.
Perhaps it is because these virtuosos link a Sacred element to their virtuosity.
To me it is important to link virtuosity to Sacredness, to Sensitivity, to Melody.
Such that it does something for the player as well as for the listener.
We have virtuosos from these isles that do this, perhaps were they Indian they too would be called Pandit, Ustad.
To me virtuosity is a gift honed through blood sweat tears.
Yet I feel virtuosity for the sake of displaying virtuosity is a slap in the face to this gift.
When this occurs it is understandable to me that it switches off various people.
At the same time having to hide this gift is a bit of a tragedy.
It is like telling Usain Bolt he can only walk never run.
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My self being bang average I know I don't require even a smidgen of virtuosity to make the music I make.
I just require some sensitivity some judgement.
I recall a famous multi millions records selling band saying if we were better musically we'd be rubbish lol.
I personally laud virtuosity that's linked to Sacredness, Sensitivity, Melody.
Around 2011 just after I'd given up on making music realising I was utterly carp (cr*p) lol this lasted nearly a decade
I had vivid dreams of me performing infront of tens of thousands at prestigious concert venues.
In these dreams I started out carp which is true thereafter I launched into virtuoso astounding the audience.
Was an amazing feeling because people realised I wasn't carp lol also because of me being a virtuoso in my dreams being able to play whatever I imagined.