Jokersong wrote: ↑Sun Feb 25, 2024 11:22 pmIt identified me and the individual I sent it to to spread it, and said generally the artists I said I wrote it for could receive credit for the songs.
I don't think it stated clearly, just in general as described above.
It wasn't signed by the recipient(s), and there was no date.
THANK YOU SO MUCH. It was only signed by me. The rights don't transfer.
You are clutching at straws here! I did not write MUST - I wrote SHOULD. I merely listed those things that an IP lawyer would expect to find in a contract transferring rights.
As you still have not told us which jurisdiction we are dealing with here, a definitive opinion is something I cannot give you! (And I only have ever dealt with German, English, Scottish and US copyright laws and I have someone at hand who is a copyright lawyer in the US and Russia.)
You also have not given us the WORDING of this scrap of paper. That will make all the difference! The devil is hiding in the details - remember!
IMO, you probably did not transfer the rights or only partially transferred the rights. (But that is only the opinion of someone who is NOT an IP lawyer!) To what extent is either for the courts to decide or for you to negotiate with the other party. You will need to have a pukka lawyer on your side of the table in the event of such a discussion! No two ways about that one!
One possible outcome would be for all rights considerations paid to date to remain as received, but all future considerations to be paid to you and you to be in future identified as the rightful owner of those rights and have all moral rights to be so identified be yours. That is what happened in the Alan Freed/Chuck Berry case about Oh Maybelline (if I remember rightly). Berry merely wanted to be recognised as the author and to have all future payments to be his. The DJ A. Freed was granted the rights for a period as thanks for promoting the record and it took a court battle to get them back. (But that was US law - very similar to English copyright laws and Berry had Chess Records on his side!)
There will be lots of other details lurking in the shadows that you have not mentioned here! For example, what other hit songs have you written? What is your song writing history?
For an IP lawyer to take on your case, there must be a reasonable chance of a positive financial outcome so that the poor man or woman can be paid! For that,
you must present a large body of substantial evidence - I'm sure you know that saying "With every hit, you get a writ!" i.e. every time someone has a hit record, some creature crawls out of the woodwork and claims the hit as partially theirs! A lawyer must be sure that you are not such a person!
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As a general comment for all here - why is it that as soon as someone starts writing and/or performing music, all common sense and business sense seems to fly out of the window?