Morning guys,
I am a keyboard player and experimented a bit with logic before on my macbook. I used a scarlet interface before but it did not work well, so I quit the whole thing…
Now I want to restart the recording, playing piano/keyboard with another vocalist. I have no audio interface anymore, only a keyboard with midi and usb connection.
I want to record us both at the same time, which means I need 2 headphones? Most interfaces have only 1 headphone output. Does anyone have experience with a setup like that? Of course I would need another interface..
Headphones…
Headphones…
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Re: Headphones…
Morning there,
Quite a few interfaces now have 2 headphone outs, (eg. https://www.soundonsound.com/reviews/a ... -id14-mkii). If you’re on Mac still, try using GarageBand, it’s far easier to get going, whilst you get your confidence, and it’s free on your Mac. When you’re getting confident then try again with logic.
I have 2 headphone outs on my interface which are invaluable when I’m recording as I can have different mixes on them to help me. But that’s my approach you just need to see works for you. If you’re still unsure askawsy, there’s lots of (very) experienced folks here that will gladly help you
Best of luck.
Ian.
Quite a few interfaces now have 2 headphone outs, (eg. https://www.soundonsound.com/reviews/a ... -id14-mkii). If you’re on Mac still, try using GarageBand, it’s far easier to get going, whilst you get your confidence, and it’s free on your Mac. When you’re getting confident then try again with logic.
I have 2 headphone outs on my interface which are invaluable when I’m recording as I can have different mixes on them to help me. But that’s my approach you just need to see works for you. If you’re still unsure askawsy, there’s lots of (very) experienced folks here that will gladly help you
Best of luck.
Ian.
Re: Headphones…
When I've needed more than one headphone output, I've used the Art HeadAmp 4. It has 4 channels, but I believe each channel can power two sets of headphones: one 1/8 inch socket and another 1/4 inch socket.
Someone might correct me on that last point...
Someone might correct me on that last point...
-
- garrettendi
Frequent Poster - Posts: 3584 Joined: Sat Dec 10, 2005 12:00 am
"The blues isn't about feeling better. It's about making other people feel WORSE, and making a few bucks while you're at it." - Bleeding Gums Murphy
Re: Headphones…
My son and I are each very happy with our MOTU M4 interfaces and so I would suggest the M6 to you which has two headphone outputs with a control for each.
Not important on a mac I understand but the MOTUs have very stable, very low latency drivers, second only perhaps to RME?
For those on a tight budget the Behringer HA400 is really very good.
Dave.
Not important on a mac I understand but the MOTUs have very stable, very low latency drivers, second only perhaps to RME?
For those on a tight budget the Behringer HA400 is really very good.
Dave.
Re: Headphones…
You've got various options.
The first is an interface with two headphone outs that give you the same mix. Probably the most common setup in 2 x headphone out interfaces.
The next is an interface with two headphone outs that give you different mixes. Definitely a more versatile option than the first one but limits your choice of interfaces as you may have other requirements from an interface.
Mirroring the first option is adding a basic multi-channel headphone amp to a single headphone out interface. This could be driven from the headphone output, or it could be driven from a couple of spare line outputs (if your interface has them). A good way of feeding a common headphone mix to several people (often there are two sets of primary inputs to these rack headphone amps so you can have a choice of two mixes per output - providing your interface has enough spare line outs to drive them - or two 'individual mix'' headphone outs).
The low-cost headphone amps from the likes of Behringer are fine for tracking, but if you use them for mixing as well then it's worth spending more on better quality headphone amps).
If you've got a larger I/O count interface with several line outs and you can see a need to record several people at once, all needing headphones and a need for more of each performer in their own headphone mix, then a most of the rack-mount headphone amps with 4+ headphone outputs can accept a mono 'more-me' extra input to add to a basic mix. So for every 'more me' channel, you'd need a dedicated line output. But that's getting complicated and you'd need to set up extra mono sends in your DAW. So if you've do need extra individual mixes, you'll probably find it easier to use multiple small headphone amps each driven by a pair of line outs.
The first is an interface with two headphone outs that give you the same mix. Probably the most common setup in 2 x headphone out interfaces.
The next is an interface with two headphone outs that give you different mixes. Definitely a more versatile option than the first one but limits your choice of interfaces as you may have other requirements from an interface.
Mirroring the first option is adding a basic multi-channel headphone amp to a single headphone out interface. This could be driven from the headphone output, or it could be driven from a couple of spare line outputs (if your interface has them). A good way of feeding a common headphone mix to several people (often there are two sets of primary inputs to these rack headphone amps so you can have a choice of two mixes per output - providing your interface has enough spare line outs to drive them - or two 'individual mix'' headphone outs).
The low-cost headphone amps from the likes of Behringer are fine for tracking, but if you use them for mixing as well then it's worth spending more on better quality headphone amps).
If you've got a larger I/O count interface with several line outs and you can see a need to record several people at once, all needing headphones and a need for more of each performer in their own headphone mix, then a most of the rack-mount headphone amps with 4+ headphone outputs can accept a mono 'more-me' extra input to add to a basic mix. So for every 'more me' channel, you'd need a dedicated line output. But that's getting complicated and you'd need to set up extra mono sends in your DAW. So if you've do need extra individual mixes, you'll probably find it easier to use multiple small headphone amps each driven by a pair of line outs.
Reliably fallible.