Ear Defenders
Re: Ear Defenders
I use earplugs from ACS Custom. They attenuate at a relatively flat -17dB across the spectrum meaning I can hear the rest of the band perfectly.
https://acscustom.com/uk/products/pro-series/pro-17/
They’re not cheap, but my tinnitus is already pretty bad and I don’t want it to get worse.
https://acscustom.com/uk/products/pro-series/pro-17/
They’re not cheap, but my tinnitus is already pretty bad and I don’t want it to get worse.
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- Essex Boi
Regular - Posts: 102 Joined: Thu Dec 22, 2022 1:10 pm Location: Not the bit of Essex on the telly
Reality is merely an illusion, albeit a very persistent one.
Re: Ear Defenders
I use the ACS Pacato 19 plugs, very happy with them.
- resistorman
Frequent Poster - Posts: 2986 Joined: Sun Nov 22, 2015 12:00 am Location: Asheville NC
"The Best" piece of gear is subjective.
Re: Ear Defenders
I have ACS Pro 17's too, very good and all day comfortable.
- Sam Spoons
Forum Aficionado - Posts: 22904 Joined: Thu Jan 23, 2003 12:00 am Location: Manchester UK
Still mourning the loss of my 'Jedi Poster" status
People often mistake me for a grown-up because of my age.
People often mistake me for a grown-up because of my age.
Re: Ear Defenders
I use the ACS Pacatos and keep them in their tube on my keyring so that I always have them around.
- James Perrett
Moderator -
Posts: 16986 Joined: Mon Sep 10, 2001 12:00 am
Location: The wilds of Hampshire
Contact:
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Re: Ear Defenders
Remember if it's too loud for you. It's also too loud for the audience.
If you need earplugs, so do the audience.
It's a condom on condom situation.
Maybe play softer and bring the sensuality & sensation back.

If you need earplugs, so do the audience.
It's a condom on condom situation.
Maybe play softer and bring the sensuality & sensation back.
Experimental / Ambient
https://www.rudiarapahoe.com
https://www.rudiarapahoe.com
Re: Ear Defenders
To be fair R_A the level on stage can be significantly louder (or quieter) than that in the audience and us musicians and techs may well be exposed for much longer periods and much more frequently than a typical audience member.
- Sam Spoons
Forum Aficionado - Posts: 22904 Joined: Thu Jan 23, 2003 12:00 am Location: Manchester UK
Still mourning the loss of my 'Jedi Poster" status
People often mistake me for a grown-up because of my age.
People often mistake me for a grown-up because of my age.
Re: Ear Defenders
ACS Pro 17s for me, without question.
I baulked at the price some 12 years ago, until I got them. Then, when I sadly lost them 6-7 years later, I was straight out to get another pair, no questions asked. It's *all* about the custom fit.
Even my wife now has them for occasional gigs and musicals - she also now swears by them.
I baulked at the price some 12 years ago, until I got them. Then, when I sadly lost them 6-7 years later, I was straight out to get another pair, no questions asked. It's *all* about the custom fit.
Even my wife now has them for occasional gigs and musicals - she also now swears by them.
Re: Ear Defenders
Sam Spoons wrote: ↑Sun Jul 06, 2025 10:17 am To be fair R_A the level on stage can be significantly louder (or quieter) than that in the audience and us musicians and techs may well be exposed for much longer periods and much more frequently than a typical audience member.
The 'average' rock concert is apparently 90 - 120 dB.
About 14 mins at 100 dB is enough to do irreparable damage.
About 120 seconds 110 dB is enough to do irreparable damage.
I remember seeing those numbers as young student / trainee and thinking - huh!
Experimental / Ambient
https://www.rudiarapahoe.com
https://www.rudiarapahoe.com
Re: Ear Defenders
Those are constant SPL values, and whilst hearing damage is always to be avoided (I damaged my own hearing by being careless whilst testing out a PA at home), you do need to look at the figures in context. You need to look at peak and average levels, rather than just one simple dB value that is almost never qualified in the text as to what weighting it's measured at (dB is just a ratio and is never a meaningful level unless qualified by a reference e.g SPL or (A), or U or v or FS etc.
With typical dB (A) SPL weighting, you can have loud bass sounds that don't worry the measuring level meter much. A 100Hz note has to be 20dB louder than a 1kHz sound to register at the same loudness value on the (A) scale. But does loud bass cause the same type of hearing damage as loud mids or treble?
Unfortunately hearing loss through sound level exposure research is very limited in scope because you simply can't expose people to different levels of loud noise and measure the resulting hearing loss effects. It's simply not ethical. So it has to be worked at through statistical methods from people exposed to loud noise at work, with fairly crude data and no single event cause and effect measurements. The figures given are probably therefore a bit on the safe side for exposure, but they still don't explain what say "120dB exposure" really means. I know it's very loud, but if it peaks at 120dB(A) but averages 100dB(A) is that better (or rather 'less worse') for your ears than sound that peaks at 125dB(A) but averages at 95dB(A)? I have no idea!
It's easy to throw numbers around, but they can easily be misused (e.g. so many venue power cut-off sound meters were/are set to peak, not average levels so cut out from an unamplified snare hit).
With typical dB (A) SPL weighting, you can have loud bass sounds that don't worry the measuring level meter much. A 100Hz note has to be 20dB louder than a 1kHz sound to register at the same loudness value on the (A) scale. But does loud bass cause the same type of hearing damage as loud mids or treble?
Unfortunately hearing loss through sound level exposure research is very limited in scope because you simply can't expose people to different levels of loud noise and measure the resulting hearing loss effects. It's simply not ethical. So it has to be worked at through statistical methods from people exposed to loud noise at work, with fairly crude data and no single event cause and effect measurements. The figures given are probably therefore a bit on the safe side for exposure, but they still don't explain what say "120dB exposure" really means. I know it's very loud, but if it peaks at 120dB(A) but averages 100dB(A) is that better (or rather 'less worse') for your ears than sound that peaks at 125dB(A) but averages at 95dB(A)? I have no idea!
It's easy to throw numbers around, but they can easily be misused (e.g. so many venue power cut-off sound meters were/are set to peak, not average levels so cut out from an unamplified snare hit).
Reliably fallible.
Re: Ear Defenders
At your average rock concert (as opposed to pub gig) the stage sound level will bear little relationship to the audience level and the latter will be entirely in the hands of the sound techs. Stage levels including monitoring and backline will be, at least partially, under the direction of the musicians but wearing earplugs may still be advisable. Personally I don't wear my plugs when I'm playing/singing but I do most of the time if I'm sound tech and sometimes when I'm in the audience.
- Sam Spoons
Forum Aficionado - Posts: 22904 Joined: Thu Jan 23, 2003 12:00 am Location: Manchester UK
Still mourning the loss of my 'Jedi Poster" status
People often mistake me for a grown-up because of my age.
People often mistake me for a grown-up because of my age.
Re: Ear Defenders
My silicon Christmas tree of choice is by Vic Firth:
https://www.andertons.co.uk/vic-firth-e ... ize-white/
I discard the neckband to avoid getting them ripped out of my ears by adoring fans or passing mic stands, otherwise have been great for about 10yrs, probably 5-6 pairs.
https://www.andertons.co.uk/vic-firth-e ... ize-white/
I discard the neckband to avoid getting them ripped out of my ears by adoring fans or passing mic stands, otherwise have been great for about 10yrs, probably 5-6 pairs.
Last edited by shufflebeat on Sun Jul 06, 2025 3:37 pm, edited 2 times in total.
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- shufflebeat
Jedi Poster - Posts: 10110 Joined: Sun Dec 09, 2007 12:00 am Location: Manchester, UK
“…I can tell you I don't have money, but what I do have are a very particular set of skills. Skills I have acquired over a very long career” - (folk musician, Manchester).
Re: Ear Defenders
Wonks & Sam, yes and yes absolutely valid points - (& ik I'm a little off topic). But if you're having to wear hearing protection to a listening event it's worth questioning whether something has gone wrong / could be done better.
We know from experience that many gigs are simply too loud. For instance a lass at the table next to me in a pub in mid June was chatting to me about what a great time she'd had a James concert - and remarked that her ears were still ringing (it was two days after the gig).
I really don't think that's quite right...
Imagine going to an art exhibit and having to remember your eye protection!
Sound and music is so beautiful and we all want to enjoy it to the full capacity of our senses for as long and possible
I do attend gigs some experimental music events that can be noisy. If the levels get to a silly level I do plug (I use Doc's ProPlugs [would absolutely not recommend them for playing in!]) and if the levels get utterly bonkers, I step outside until the act is over.
I'd like to go to many more gigs with friends, especially dance music gigs... I love techno, house etc but often I find myself declining invites because I know the sound levels will be dangerous - I'm definitely more careful than most, and wish I didn't need to be.
We know from experience that many gigs are simply too loud. For instance a lass at the table next to me in a pub in mid June was chatting to me about what a great time she'd had a James concert - and remarked that her ears were still ringing (it was two days after the gig).
I really don't think that's quite right...
Imagine going to an art exhibit and having to remember your eye protection!
Sound and music is so beautiful and we all want to enjoy it to the full capacity of our senses for as long and possible
I do attend gigs some experimental music events that can be noisy. If the levels get to a silly level I do plug (I use Doc's ProPlugs [would absolutely not recommend them for playing in!]) and if the levels get utterly bonkers, I step outside until the act is over.
I'd like to go to many more gigs with friends, especially dance music gigs... I love techno, house etc but often I find myself declining invites because I know the sound levels will be dangerous - I'm definitely more careful than most, and wish I didn't need to be.
Experimental / Ambient
https://www.rudiarapahoe.com
https://www.rudiarapahoe.com
Re: Ear Defenders
The last gig I felt it necessary to wear earplugs was Bellowhead* of all people at the Bridgwater hall. The sound was shocking, too loud (by any measure, not just for the building) and way to bass heavy. I would have walked but I had friends and family with me so put my plugs in and went with the flow.
* Just in case anybody doesn't know Bellowhead are an 11 piece folk band so high volume is really not a requirement...
* Just in case anybody doesn't know Bellowhead are an 11 piece folk band so high volume is really not a requirement...
- Sam Spoons
Forum Aficionado - Posts: 22904 Joined: Thu Jan 23, 2003 12:00 am Location: Manchester UK
Still mourning the loss of my 'Jedi Poster" status
People often mistake me for a grown-up because of my age.
People often mistake me for a grown-up because of my age.
Re: Ear Defenders
A couple of years ago I bought a pair of Loop Experience ear plugs, which work well and come with four sizes of silicone ear tips.
They do the job, and look quite stylish too
They do the job, and look quite stylish too
- Martin Walker
Moderator -
Posts: 22574 Joined: Wed Jan 13, 2010 8:44 am
Location: Cornwall, UK
Contact:
Re: Ear Defenders
I have ordered some Pacato 19 ear plugs.
I will report back!
I have had some ear defenders for several years but lately they seem to not be attenuating as much.
It has been difficult to get them to “sit” properly.
I am very careful in my studio about volume especially guitar amps.
The problem seems worse in a rehearsal room than playing live.
I guess this is due to the usual small room size.
Not easy to turn a drum kit down!
I will report back!
I have had some ear defenders for several years but lately they seem to not be attenuating as much.
It has been difficult to get them to “sit” properly.
I am very careful in my studio about volume especially guitar amps.
The problem seems worse in a rehearsal room than playing live.
I guess this is due to the usual small room size.
Not easy to turn a drum kit down!
Re: Ear Defenders
This has just come to my attention, v interesting for background info and planning:
https://www.derby.ac.uk/news/2025/launch-of-hela/
https://www.derby.ac.uk/news/2025/launch-of-hela/
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- shufflebeat
Jedi Poster - Posts: 10110 Joined: Sun Dec 09, 2007 12:00 am Location: Manchester, UK
“…I can tell you I don't have money, but what I do have are a very particular set of skills. Skills I have acquired over a very long career” - (folk musician, Manchester).
Re: Ear Defenders
I'd never heard of these ACS products, and nor has Amazon!
A link for the needy:
https://acscustom.com/uk/products/pro-series/pro-17/
A link for the needy:
https://acscustom.com/uk/products/pro-series/pro-17/
Re: Ear Defenders
FrankF wrote: ↑Sat Jul 19, 2025 11:05 am I'd never heard of these ACS products, and nor has Amazon!
A link for the needy:
https://acscustom.com/uk/products/pro-series/pro-17/
They have in the UK.
ACS Pacato 19 Reusable High Fidelity Hearing Protectors Earplugs Ear Plugs https://amzn.eu/d/iTqWvzN
And the 16s, but nothing custom fitted for obvious reasons.
Reliably fallible.