BIGstache1 wrote: ↑Sat Oct 04, 2025 12:11 am When you have multiple layers of vocal lines, do you line up all the S's on each line and try to get them to work as one, or do you cut all the S's in all the layers and only leave ONE lead track that has the S sound on it?
This suggests that by 'de-essing' you don't only mean controlling sibilant attacks, but also lining up the ends of notes that END with an s. (Same issue can arise with final consonants, although many pop/rock singers don't bother much with them anyway
Yes, 'just one of you sing the final s' is a routine technique in everything from multitrack pop vocals to large classical choruses.
As for initial sibilants, unless your name is Daffy or Sylvester a lot of it should respond to performance and mic placement, not to editing.
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