Some of you might be interested in this 1 hr lecture from the University of Sydney:
The History of Early Electronic Music and its Links to Today's Electronic Music - Lieven Bertels
https://www.youtube.com/watch?v=cxEkKVGRtrs
Lecture: The History of Early Electronic Music and its Links to Today's Electronic Music
Lecture: The History of Early Electronic Music and its Links to Today's Electronic Music
- Andy Cobley
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Re: Lecture: The History of Early Electronic Music and its Links to Today's Electronic Music
Ooh, bookmarked for viewing later tonight. Thanks for the heads-up 
- Eddy Deegan
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Re: Lecture: The History of Early Electronic Music and its Links to Today's Electronic Music
Likewise - thanks Andy!
Martin
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Re: Lecture: The History of Early Electronic Music and its Links to Today's Electronic Music
Andy Cobley wrote: ↑Sun Sep 05, 2021 5:00 pm
The History of Early Electronic Music and its Links to Today's Electronic Music - Lieven Bertels
https://www.youtube.com/watch?v=cxEkKVGRtrs
Appreciated Andy.
I think the more that can be added to our appreciation of how Early Electronica influenced Electronica from 1970 to now, the more informed we would be.
I hadn't heard of Raymond Scott, Bruce Haack,
until Lieven Bertels lecturer in the video mentioned them.
I shall add them to my list.
::
Between 1939 to 1969 already existed in
Electronica :
Techno, Dance, Synth Pop (without vocals), Berlin School Trance, Industrial Hard Core,
Ambient, Dark Ambient, Horror, Drone, Experimental, Eurorack blips n blobs pre runners, World music, Classical, Sampling, Computer music, DJ, Live Vocal performance with Electronica, R&B Rock with Electronica. https://www.soundonsound.com/forum/view ... 23&t=78956
These are the most of major genres of modern Electronic Music.
::
https://designmuseum.org/exhibitions/el ... l-brothers
London Design Museum exhibition focused mostly upon Dance Electronica with a cursory nod towards Daphne Oram, BBC Radiophonic Workshop.
Even the 127 tracks curated are Dance tracks.
It is a populist exhibit to draw in the crowds.
It is not to educate nor help people explore Electronic Music.
It is as if Electronica hardly existed before 1970.
An organisation as prestigious as Design Museum could easily allocate just one staff member to spend just a couple hours a day for a month doing research. (That's what I did).
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