Covers and correctness II
Covers and correctness II
I previously asked if anyone might take offence at a cover of Electric Avenue, and the response was, no, if it's done respectfully. And that was fine.
Here's another one...Dreadlock Holiday. If you Google this, you'll find people asserting that it's racist, though I don't know whether there's really any risk of people finding it offensive or not. Would it be best to play it, tweak it, or avoid it? (I'm currently thinking of tweaking it but don't want to overreact.)
Here's another one...Dreadlock Holiday. If you Google this, you'll find people asserting that it's racist, though I don't know whether there's really any risk of people finding it offensive or not. Would it be best to play it, tweak it, or avoid it? (I'm currently thinking of tweaking it but don't want to overreact.)
Re: Covers and correctness II
I neither think the lyrics are racist, nor was at the time the intention of messers Godley and Creme.
Also, as I understand it it recounts real life events experienced by members of the Moody Blues.
Also, as I understand it it recounts real life events experienced by members of the Moody Blues.
Re: Covers and correctness II
If you are in a 10CC covers band, then it's part of their repertoire and I'd expect to hear it played.
It's been used as a TV program theme tune and appeared in quite a few fairly recent films.
It is an amalgamation of several 10CC's members’ (plus Justing Haywood's) personal experiences in Barbados and Jamaica, so it's not just a made-up song from no experience. A mixture of good and bad experiences.
But the cod Caribbean accents push it into awkward territory for me as a general song to perform. Plus it's got a key change in and overall it's pretty corny.
Not one I'd personally care to perform through choice.
It's been used as a TV program theme tune and appeared in quite a few fairly recent films.
It is an amalgamation of several 10CC's members’ (plus Justing Haywood's) personal experiences in Barbados and Jamaica, so it's not just a made-up song from no experience. A mixture of good and bad experiences.
But the cod Caribbean accents push it into awkward territory for me as a general song to perform. Plus it's got a key change in and overall it's pretty corny.
Not one I'd personally care to perform through choice.
Last edited by Wonks on Sun Dec 10, 2023 3:38 pm, edited 1 time in total.
Reliably fallible.
Re: Covers and correctness II
...oh, that's gone, no debate.
(To put it in context, I turn up to a regular 'jazz jam' that's occasionally frequented by some pretty good players, and I like throwing in some - to them - left-field stuff, that might be standard pub covers fare but the backing band haven't usually played before, or heard of...while some members of the audience enjoy a break from Miles Davis and Autumn Leaves. It's usually some one-off improvised arrangement of something that catches my ear, that I think the audience might like.)
I'll probably give it a go tomorrow but tone it down a bit.
Last edited by BJG145 on Sun Dec 10, 2023 3:43 pm, edited 3 times in total.
Re: Covers and correctness II
The song tells a story not dissimilar to, “Down in the Tubesataion at Midnight” by the Jam. They also refer to the character of the assailants and the threat (act) of violence.
However, the narrative structure of Dreadlock Holiday depends on the suggestion that black men are scary and are likely to mug you.
Not:
Men
Young men
Locals attacking visitors
The clue is in the title, the logic is pretty straightforward from there.
Also - musically it’s lazy “School of Rock” shite with Jim Davidson accents - with a key change.
However, the narrative structure of Dreadlock Holiday depends on the suggestion that black men are scary and are likely to mug you.
Not:
Men
Young men
Locals attacking visitors
The clue is in the title, the logic is pretty straightforward from there.
Also - musically it’s lazy “School of Rock” shite with Jim Davidson accents - with a key change.
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- shufflebeat
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Re: Covers and correctness II
Play safe and cover a Bob Marley song. His dad was white and he was bullied and teased in his youth for not being black enough. It seems racism is not a one way street in Jamaica. Plus Clapton seems to have got away with it, although it was never proven he shot the sheriff.
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- Dynamic Mike
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Re: Covers and correctness II
Dynamic Mike wrote: ↑Sun Dec 10, 2023 4:20 pm Plus Clapton seems to have got away with it, although it was never proven he shot the sheriff.
But he admits to it (in self-defense). It was the deputy he denies shooting!
Reliably fallible.
Re: Covers and correctness II
Wonks wrote: ↑Sun Dec 10, 2023 4:45 pmDynamic Mike wrote: ↑Sun Dec 10, 2023 4:20 pm Plus Clapton seems to have got away with it, although it was never proven he shot the sheriff.
But he admits to it (in self-defense). It was the deputy he denies shooting!
Indeed. I didn't think that one through
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- Dynamic Mike
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Why do bad things mostly seem to happen to people who light up a room when they enter it?
Re: Covers and correctness II
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Re: Covers and correctness II
I thought I might find more love for 10cc. I wouldn't count myself as a fan, but I know a couple of serious music listeners who rate them. They did give us I'm Mandy Fly Me after all. 
https://www.soundonsound.com/techniques ... c-not-love
https://www.soundonsound.com/techniques ... c-not-love
Re: Covers and correctness II
BJG145 wrote: ↑Sun Dec 10, 2023 5:18 pm I thought I might find more love for 10cc. I wouldn't count myself as a fan, but I know a couple of serious music listeners who rate them. They did give us I'm Mandy Fly Me after all.
https://www.soundonsound.com/techniques ... c-not-love
I love I'm Mandy Fly Me. I bought it when it came out & it was the first single I played when I treated myself to a new turntable a few months ago. But your link is to I'm Not In Love. Or have I missed something here?
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- Dynamic Mike
Longtime Poster - Posts: 5291 Joined: Sun Dec 31, 2006 12:00 am
Why do bad things mostly seem to happen to people who light up a room when they enter it?
Re: Covers and correctness II
Back to your original question, I would say that some people would certainly find the song "Dreadlock Holiday" offensive, seeing in it both racist stereotypes and cultural appropriation. These folks will likely not accept the defense that it is a helpful critique of racism, rather than a disguised promotion of racism, that is hidden in the ambiguous lyrics. It is likely that some of these social justice oriented folks will show up at your jazz jams. Even if they don't, to resurrect this 1978 song in 2023 could be interpreted as throwing gasoline on the fires of racial hatred that are being intentionally stoked more and more around the world. So I can't see much of an upside of covering it, but I can see important potential downsides.
Re: Covers and correctness II
OK! Thanks for that.
Re: C...overs and correctness II
In my youthful naivety I played it most Saturdays in the restaurant I mentioned in another post. These days I usually look to the intent of the writers/performers before passing judgment. I wouldn't intentionally upset/offend anybody but music is music and once it is in the public domain it's hard to condemn other musicians for being inspired by it*.
* Homage rather than mockery...
* Homage rather than mockery...
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Re: Covers and correctness II
Why run the risk, and worry when you play it that somebody might be offended?
I don’t think it’s intended to be racist, but it does present Jamaicans as robbers and drug dealers. Some of them are of course and Jamaica was quite a lawless place in the 70s, so it’s a product of its time, and less true now.
It’s a real piece of bubblegum pop, not a serious piece like other 10cc tunes.
I don’t think it’s intended to be racist, but it does present Jamaicans as robbers and drug dealers. Some of them are of course and Jamaica was quite a lawless place in the 70s, so it’s a product of its time, and less true now.
It’s a real piece of bubblegum pop, not a serious piece like other 10cc tunes.
Re: Covers and correctness II
I dooon't reaally knoooow Bettyy.
I suppose it falls in the territory of you can make jokes about your own kind butt not aboot others.
Better safe than sorry : stick to our own as it were.
::
One World One Voice musical project in 1990 was started by Kevin Godley with Rupert Hine.
Has approx 250 musicians from various parts of the World.
https://oneworldonevoice.co.uk/
https://m.youtube.com/watch?v=AuzjeLnXl ... J1bQ%3D%3D
It's one of my favourite albuumes of all time.
I suppose it falls in the territory of you can make jokes about your own kind butt not aboot others.
Better safe than sorry : stick to our own as it were.
::
One World One Voice musical project in 1990 was started by Kevin Godley with Rupert Hine.
Has approx 250 musicians from various parts of the World.
https://oneworldonevoice.co.uk/
https://m.youtube.com/watch?v=AuzjeLnXl ... J1bQ%3D%3D
It's one of my favourite albuumes of all time.
Last edited by tea for two on Mon Dec 11, 2023 12:46 am, edited 2 times in total.
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- tea for two
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Re: Covers and correctness II
We all live in our own bubble and would probably struggle to maintain any kind of consistent ethical framework in the face of hostile scrutiny. They made a novelty record and a bucket of money, job done.
In fairness to the band they (to the best of my knowledge) make no claims to be political philosophers or cultural advisors. It is valid, however, to assess their output in the light of a bigger picture which, while they had no intention or obligation to observe, involves an evolution of meaning with the passing of time.
If music is mostly comprised of rhythm, harmony and meaning then Dreadlock Holiday stumbles on all three elements. It parodies musical ideas established by others and presents a picture of fear of foreigners somewhat ironically in the style (sort of) of the music associated with that group, taking from the culture, interpreting it without care or understanding and using it to deliver a cheap middle class trope of violent black men.
Musical newspaper.
In fairness to the band they (to the best of my knowledge) make no claims to be political philosophers or cultural advisors. It is valid, however, to assess their output in the light of a bigger picture which, while they had no intention or obligation to observe, involves an evolution of meaning with the passing of time.
If music is mostly comprised of rhythm, harmony and meaning then Dreadlock Holiday stumbles on all three elements. It parodies musical ideas established by others and presents a picture of fear of foreigners somewhat ironically in the style (sort of) of the music associated with that group, taking from the culture, interpreting it without care or understanding and using it to deliver a cheap middle class trope of violent black men.
Musical newspaper.
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- shufflebeat
Longtime Poster - Posts: 9866 Joined: Sun Dec 09, 2007 12:00 am Location: Manchester, UK
“…I can tell you I don't have money, but what I do have are a very particular set of skills. Skills I have acquired over a very long career” - (folk musician, Manchester).
Re: Covers and correctness II
All useful feedback, thanks. I think I'll defer to the general consensus and drop the idea.
Re: Covers and correctness II
Postscript
Well, in the end I did it anyway, rewritten. Great drum solo, everyone seemed to enjoy it, no sign of violence or rioting.
It's useful to sound these things out, but in the end it's down to personal judgement, respect, intention.
Well, in the end I did it anyway, rewritten. Great drum solo, everyone seemed to enjoy it, no sign of violence or rioting.
It's useful to sound these things out, but in the end it's down to personal judgement, respect, intention.
Re: Covers and correctness II
If you want a candid opinion of typical Jamaican around that time, ask Jamaican women. I know a Jamaican who came to the UK in the 1960s, and when all the girls and their momma got together and talked about Jamaican men they gave them a good verbal pounding. Every time. They didn’t do much but drink Red Stripe and smoke spliffs. Which explains a bit …