Vox Gnus wrote:All fair observations, but that's only the "music performance" side of things. Historically, that's not where the money has been, except for a lucky few.
It's a fair whack though! When the likes of Beyonce and The Stones can get $4m or more per gig with 50% up-front, and the promoter can sell at least 50,000 tickets at $150 each and make $2.5m on top of that, it comes to a fair proportion of the whole industry.
Vox Gnus wrote:There are so many angles to music; so where's the money? Really?
Look into your own pocket. What did YOU spend on music in the past few years? A Blu-Ray of a Tom Petty concert maybe? Or perhaps you bought something from Rammstein or a classical concert by the Berlin Philharmonic?
No, you probably went out and bought either on disk or via streaming, some movies - guess what! Loads of music there! Big budgets. When you are making the average major movie you have the average $65m to play with, so a few million for a decent score is pretty much the minimum!
But you make a good point, albeit perhaps en passant - "The lucky few."
You may be able to tick all the boxes (young, good looking, talented, hard-working, putting on a great show) but you need three more things - (1) luck and (2) knowing when you got lucky (3) knowing what to do with that luck.
(1) Without luck, you ain't going nowhere! Born into a rich and musical family who are prepared to sacrifice everything and push your career - lucky. Born the child of a glue-sniffing prostitute in Burundi - unlucky. Born in a liberal Western democracy - lucky. Born in North Korea - unlucky. You play a small gig and an A&R guy from Sony sees you and gives you his card - lucky. That A&R guy goes to a different bar - unlucky.
(2) Ed McMahon said on Star Search, when asked to give the hopefuls one piece of advice, "Be ready when the man calls!" i.e. KNOW when you have just become lucky and be ready for that moment. (He was introducing a little eight-year-old girl in a black and white dress called Britney Spears. Hmmm - I wonder if she ever got lucky?)
(3) A guy I used to know was a drummer. He was without a doubt, the best drummer I have ever recorded and one of the best I have ever heard. John Bonham and Keith Moon were possibly a bit better - but that was the level at which he played. He got The Big Break. And with The Big Break came The Big Money. Instead of 'screwing the nut' (military expression) and saving his pennies and acting normal, he blew it all on pixie dust and booze - and whilst zonked out of his skull, decided to build a pink castle in Scotland.
The guys who gave him the break discovered that he was too drunk to do a gig and they went with somebody else who could play without falling dead drunk off his drum stool. He drifted down and he drifted sideways and died poor and in his 40s.
Quincy Jones once said, "The money's in the music!"
Most musicians don't know what to play or even how to play it to get lucky. They don't know how to play it to stay lucky. And of those who do get lucky and stay lucky for a while, very few know how to hang onto that luck.
That's why they are 'The lucky few.'
A musician friend of mine who lives on state and disability benefits asked me "Do you realise just how lucky you are?"
Yes, of course I realise just how amazingly lucky I am. But then I'm not a musician!