And decided on the course of action. Monday or Tuesday should see it finished. And then I'll find a volunteer from the local ukulele group to play it while I grab a recording.
Andy
![Beamup :beamup:](./files/images/smilies/icon_beamup.gif)
zenguitar wrote: ... then I'll find a volunteer from the local ukulele group to play it while I grab a recording.
Andy
Frisonic wrote: This is now officially an exciting week
zenguitar wrote:And so it came to pass that the sun shineth
Andy
zenguitar wrote:Mixed up a potion today. Some rottenstone, a drop of soap, and some White Spirit.
Add a piece of felt.
And then apply potion to felt and start polishing ukulele.
Andy
zenguitar wrote: I've tried out a few chords and all sounds good.. essentially, this one is now finished !!!!
Andy
zenguitar wrote:And then I applied a couple of tiny dots of glue to the bottom of the nut, put it in place with the strings on, and left it to dry.
The nut is never permanently glued in place, just enough to stop it slipping and sliding and dropping off when you take the strings off. A neatly applied tap with a hammer will ease it off if needed.
zenguitar wrote: I really must get around to making a label, but that can wait for now. When I do, it will probably be a piece of parchment lettered with Indian Ink and glued in place with hide glue.
Andy
zenguitar wrote:One thing though Goddard... Whilst a dab of glue is normal for fitting a nut to a guitar, we don't glue arch top bridges in place because the exact location will vary depending on string gauge and action. And besides, its fun watching guitarists work out where it should go when it drops off unexpectedly
zenguitar wrote:At this rate I'll be making a truss rod cover rather than playing it.
Andy
dwebb wrote:I won't argue about the damned silly instrument bit, but I did think that the tuning was effectively the top four strings of a guitar capoed at the 5th fret?
zenguitar wrote:Thanks Kev.
Nothing magical or mystical about the polishing mixture. I just read the instructions that came with the Rottenstone I bought from Luthiers Mercantile and used those as a starting point.
As I mentioned much earlier in the thread, these are the first instruments I've finished with shellac so I am learning as I go.
The instructions basically pointed to using the Rottenstone with a mineral oil as a lubricant and applied with felt pads. There was also a recipe for a polish based on methanol that scared me (as that would soften the shellac) but was more directed at restoring old finishes.
So I searched online, and found some more articles. Read through them, and then bit the bullet and came up with something that made sense to me. I took some Rottenstone, added a drop of washing up liquid as an antistatic/antisurficant and then added White Spirit (mineral oil) until it was the consistency of pancake batter.
So, basically, I relied on existing knowledge and experience, did some reading, and came at it from 1st principles. It worked well, and there was nothing in the mix that could have done any harm.
Andy
Folderol wrote:I was about to offer to take the dear little thing off your hands