Wurlitzer wrote:Arpangel wrote:Rich Hanson wrote:Sensible? This is Tony we're talking about?
Oh dear.....
We’re 90% there in getting this chap to do the work, I’m not sure about the others, high valuations in my old and cynical mind indicate a desire to make us think that a complete restoration is a major investment, it’s probably not, and our piano isn’t "an investment"
Most piano technicians and restorers aren’t even accepting work on grand pianos, and shops aren’t buying them, most people don’t have the space, or the money these days, it’s a very small market.
Aye. Acoustic pianos as a whole are a small market to beging with, and then grands are an even smaller subset of that. I don't know, but I'd imagine there'd be especially few buyers for baby grands. I say that because the vast majority of people wanting a piano for their home will get an upright for space reasons, but professional studios and venues will get a concert grand or close to (and newer, so it's reliable).
I think Hugh's got it absolutely right. You might want to get only that part of the work done that is necessary for the piano's working and leave the cosmetics. Or just get it all done and be done with it - 3 grand is not that much in the scheme of things for something that's going to be beautiful and important to your lives on so many levels. But you'll be doing it for the joy of it, not the money.
I agree, and there is absolutely no way my partner would sell this piano, it’s too special to her, I love it too, but not in the same way as she does, it’s part of her childhood, and family.
Even if we bought a new piano she’d still keep the Bluthner.
You’re also right on essential repairs, I just called the guy and left a message, asking him if we can discuss this again, I’ll keep you posted.