Drongoloid wrote: Twiddle knobs get some 'sound'...'sound' never to be found again.
But that’s just it, sounds like modular, fifty years ago.
These days, I’m getting much more out of sounds I get from things that aren’t predictable, or that I understand, I’ve got pedals going into pedals, going out to something else, into the four track, out of the four track, the Microgranny, some fantastic low-fin sounds that are truly gut wrenching, but gone forever as soon as I switch it off.
But that’s OK, I’m liking it, I’ve got a folder on my computer called "compost" and I put these sounds in there for future use, and every time I audition one if these sounds, I haven’t a clue how I got it! ir what I used, all I know is that my music is benefiting, it’s still interesting to me, that’s the main thing.
The MG is no different to my modular, in concept, regarding repeatability, or predictability, and I never really know what I’m doing with my modular, it leads me, I don’t lead it.