This thread seems to have become the go-to life line for these old things.


Sounds like you might have some electronic issues as the rear panel mounted outputs are quite hot on my examples. -18dBFS on the meter drives everything to just over reference assuming unity gain on my connected devices - I'm reasonably sure the manual quotes +4dBU. The noise floor isn't exceptionaly low on those outs but, at the same time is more than serviceable. Being honest, I've never really compared them via the digital version on the option cards but can't imagine it's a night and day difference.
As you've used LS9 and M7 before (I still love these two consoles, too), the DNA is definitely very similar indeed. Also, much like both of those, a little bit of a template / start scene setup on the 02R can save a good chunk of time.
What the 02R doesn't share with it's newer siblings is the omni outs - aux outs are that by default although they are switchable to the bus outs also but I would think you've already checked that.
The masters for the auxes are buried in the 'meter' page however, from memory, you can control them (on faders rather than the jog wheel) via the 'remote' page. To do this, hold the 'flip' button, select a remote channel (there's 4 available in the top left corner) and scroll through the control templates until you see 'bus / aux masters'. The faders will fly into position and become the controllers for your bus and aux masters. If it has a TC Electronic card, you'll control that from this page too.
Not meaning to insult or assume but lastly, check your pre / post settings as they are switchable per channel plus they're all switchable on / off too - something that seems reasonably unique to the 02R.
As for the CR / Studio outputs, the only things I can think is to check their routing options on the dual row of buttons that run down the right hand side of the console.
Good luck!
