zenguitar wrote:At this rate I'll be making a truss rod cover rather than playing it.
Andy
An inverted white 'U' with a pheasantwood veneer?
By the way, do you normally have a logo on your handbuilt instruments?
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zenguitar wrote:At this rate I'll be making a truss rod cover rather than playing it.
Andy
dwebb wrote:I won't argue about the damned silly instrument bit, but I did think that the tuning was effectively the top four strings of a guitar capoed at the 5th fret?
zenguitar wrote:Thanks Kev.
Nothing magical or mystical about the polishing mixture. I just read the instructions that came with the Rottenstone I bought from Luthiers Mercantile and used those as a starting point.
As I mentioned much earlier in the thread, these are the first instruments I've finished with shellac so I am learning as I go.
The instructions basically pointed to using the Rottenstone with a mineral oil as a lubricant and applied with felt pads. There was also a recipe for a polish based on methanol that scared me (as that would soften the shellac) but was more directed at restoring old finishes.
So I searched online, and found some more articles. Read through them, and then bit the bullet and came up with something that made sense to me. I took some Rottenstone, added a drop of washing up liquid as an antistatic/antisurficant and then added White Spirit (mineral oil) until it was the consistency of pancake batter.
So, basically, I relied on existing knowledge and experience, did some reading, and came at it from 1st principles. It worked well, and there was nothing in the mix that could have done any harm.
Andy
Folderol wrote:I was about to offer to take the dear little thing off your hands