Not sure if this is the best place to ask the question but here goes anyway. I am trying to understand the relationships between chord progressions and melodies and am writing some music and came across some interesting chord progressions that left me scratching my head. If I have an ambiguous chord progression like lets say
G Em Bm Bm
Whether the sequence is in G major or Bm (natural) is unknown as the chords belong to both keys so if I write a melody abstaining the use of the C# note then the melody too would be ambiguous so the tonal centre would still be unknown. So my question is, would the note I choose to end the melody help determine what the tonal center of that part of the song is? For example, If I ended on F# then wouldn't that mean that the tonal centre of the song is more leaning towards Bm as opposed to Gmajor since the F# is a leading tone in G major and a melody wouldnt resolve there?
Chord progression vs melody line to determine tonality
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Re: Chord progression vs melody line to determine tonality
It depends on whether resolution is the goal, F# being the ∆7 of G.
This is a little bit like planning your family holiday by looking at a roadmap. There are those, of course, who see no problem with that but I would suggest they just like roadmaps more than family holidays.
Some genres are very respectful of the literature and I think this is what you're alluding to but it would be easier to judge if we knew more if the context.
This is a little bit like planning your family holiday by looking at a roadmap. There are those, of course, who see no problem with that but I would suggest they just like roadmaps more than family holidays.
Some genres are very respectful of the literature and I think this is what you're alluding to but it would be easier to judge if we knew more if the context.
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- shufflebeat
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Re: Chord progression vs melody line to determine tonality
Absolutely agree with shufflebeat
Worry about the theory later, at this stage there is nowhere near enough information to decide, and anyway don't let your music be theory-led.
What would be the benefit to you of knowing what key it is in - are you looking for related chords, or are you seeking to keep your melody with in a pre-conceived tonality? Tonal ambiguity is well worth exploring in its own right.
Worry about the theory later, at this stage there is nowhere near enough information to decide, and anyway don't let your music be theory-led.
What would be the benefit to you of knowing what key it is in - are you looking for related chords, or are you seeking to keep your melody with in a pre-conceived tonality? Tonal ambiguity is well worth exploring in its own right.
Re: Chord progression vs melody line to determine tonality
shufflebeat wrote:This is a little bit like planning your family holiday by looking at a roadmap.
Brilliant analogy

- Tomás Mulcahy
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Re: Chord progression vs melody line to determine tonality
To be fair, that sounds like a pretty good way of planning my holiday actually! 

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