How can I really determine my own taste in music?

[awjoe]

Anyway... does anyone of you guys have any kind of online course, or book, or any other kind of solid resource for helping a guy like me with genre overload, tap into what he really wants to create when it comes to writing songs?

Correct me if I'm wrong, but there seems to be an assumption in your question that if you could figure out the type of music you like, you'd be able to actually create that kind of music. If that's the case, here's an alternate approach: get your instrument of choice and start writing with one filter and one goal guiding the process. The filter: don't copy anybody, not overtly anyway - don't pinch a chord progression or a melody or a song idea. Yes, I know - it's impossible to come up with something absolutely unique - but that's still different from going out and pinching stuff. The goal: look for music and lyrics that m-o-v-e you. Use rhythms and chords and sounds that your body and ear like. Write words that excite you, that go places other people either wouldn't imagine or wouldn't dare. You don't get stuff like 'crabalocker fishwife, pornographic priestess, boy you been a naughty girl you let your knickers down' by playing it safe inside a genre. I hope I don't upset anybody with this sentiment, but I see genres as a trap - they're known and familiar, and they limit you to the known and familiar, and that means that anything you come up with stands a very good chance of being met with :: yawn :: 'Yeah, I recognize that - I've heard it a thousand times before. Good reiteration, though.'

[Arpangel]

We are all a giant soup of musical experiences, and those of us that go on to make our own music hopefully add a new flavour to this giant soup, you can’t separate, or put you’re own output into little boxes, or a box.
Everything we do is a product of everything we’ve heard, it’s our chance to turn it into something new, something that also fulfills our own listening needs simply because there wasn’t anything there to do that in the first place.

[merlyn]

It's why we have the books "The Inner Game of Tennis" and I think there is a music one as well.

There is indeed :



I read it a while ago and still remember some of it. For the general gist of it a quote from the tennis version comes to mind :

Watch the seams of the ball.

That's a way of distracting yourself from the internal monologue of "Am I hope holding the racket right? Geez I'll never beat this guy ... " and the other distracting stuff that gets in the way. You're not really ever supposed to see the seams of the ball -- it's just a way of focusing on something other than a negative internal monologue.

[Exalted Wombat]

I can't do much about your mid-life crisis. Buy a motor-bike. Try different drugs. If you want to try something REALLY dangerous, find a new woman/man.

Let go of 'what music do I like?'. Try 'what music can I sell?' You're at the most productive time of your life. You've had time to train your skills, you haven't yet run out of energy. This is when you go full ahead at earning. If music's just a hobby, and it isn't satisfying you, do something productive instead. Music will still be there later on.

[ManFromGlass]

As a person with bad knees and back I can definitely say one can get down without getting down!
Ultimately though there comes a time when you just have to jump into the writing waters. I’ve been following the guy who used to write the music for Family Guy - Ron Jones. Brilliant composer who spent his career writing music fo others. A few years back he said enough and quit it all to find his voice. It’s been a real slog but now he says he is really happy and still works hard writing for himself. I’m not describing his process very well but if you can find anything online by him you might be inspired and encouraged.
Imagine quitting one of the best gigs in Hollywood to go do your own thing because you needed to find out what that is.

[Watchmaker]

Try 'what music can I sell?' You're at the most productive time of your life. You've had time to train your skills, you haven't yet run out of energy. This is when you go full ahead at earning. If music's just a hobby, and it isn't satisfying you, do something productive instead. Music will still be there later on.

With respect, this approach is likely to minimize the relevant content from the psyche, and result in something of inherently diminished meaning. My question is why bother? Why not just go buy the Brittany Spears songbook, sample it, transpose it all, sing through an auto-tune, quantize it, and have a mastering plugin make it sound great for you?

One of the great failings, imo, of "modern man" is that we've mistaken value for price, to paraphrase Paul Simon. Very few things of true value can be commodified. The learning, the process, is what counts. Otherwise all the greats would settle on something they knew would sell and we'd not have anyone worth admiring. Just my tuppence. We all have our individual journey's so if that works for you, gwonandget'erdone.

[awjoe]

Let go of 'what music do I like?'. Try 'what music can I sell?'

I can't imagine why you would give someone that piece of advice EXCLUSIVELY. I can see giving that piece of advice as the pragmatic half of a combination that had a polar opposite that you were trying to bring into a state of dynamic balance. If you let go of what you like, you lose your soul, you lose your integrity. Why would you recommend that approach? But I can see that if someone ONLY did music they liked, they might be out of touch with what and how people were actually listening, so you might not succeed in getting your music heard. (Scott Walker, John Zorn, Captain Beefheart, Lou Reed, Frank Zappa might disagree, but we can't all be that good, right?) so by paying attention to what sells, you might make your music more commercially marketable, without compromising its integrity. Might. Or you might just sell out. Anyway, in the interests of balance, you could advise someone: 'Write the music you like, and pay attention to what sells so that you're speaking the language of your listeners'. But even balancing those two values, I'd still give priority to the 'what I like' half of the equation.

[gyates329]

I started taking production more seriously a couple of years ago and one of things that I needed to do in order to become more well versed in the area of music was listen. Listen to more and more music, old, new bad, ugly anything music. Listening to 200 or more songs a day I started to realize that I was attracted to a certain type of music. So you could say I discovered my own taste by evaluating lots of different genres.

[tea for two]

Anyway... does anyone of you guys have any kind of online course, or book, or any other kind of solid resource for helping a guy like me with genre overload, tap into what he really wants to create when it comes to writing songs?

Hi there DMT
I wish I could point to such an online course resource or book.

Only you know your makeup as a person but then even this is confusing.
What am I made up of?

One constant is : no one can be you but you.

But how we are alters moment to moment, hour to hour, day to day.

*Some hours or days we feel like an A***hole so then we can make an A***hole song.
Some times or often times we feel like a Gormless Plank lol so then we can make Gormless Plank tracks.
Some times we feel Elevated Lighthearted so then we can make Elevated Lighthearted Lilting tracks.
Some days weeks months we feel like we are in our deep well of hurt,
so then we can make deep well of hurt tracks : this itself is hurtful cuts us up so caution advised.
Most often we are under Concerns Worries Situations of Life, we Observe Life, so then we can make Concerns Worries Situations of Life Observing Life tracks.

Our personal music doesn't always have to be this gut wrenching bleeding heart of our self because we are much more than this. We alter.
It's all still personal, whichever versions of us surfaces.

*If we wish to make experimental music, avant garde, then we don't need to tap into our deep well or perhaps hardly at all.

*If we wish to make games music, film docu music, library music, then we can mentally cut out as much as we can the personal aspect we put into music.

[Martin Walker]

Listening to 200 or more songs a day I started to realize that I was attracted to a certain type of music. So you could say I discovered my own taste by evaluating lots of different genres.

I suspect that's the way most people do it, albeit not at the rate of 200 songs per day

I also stretch my taste by listening to new music every day (sometimes even new genres), some of which I like (and buy) and some of which I ignore.

Martin

[ManFromGlass]

I’m always torn when I find something I don’t like between immediately moving on to another as life is too short, or do I relisten and try to figure out what I don’t like about the track, and possibly learning something about music or myself.
Mostly I’m not in self learning mode and if the internal crap meter says move on then I do.

[Martin Walker]

I’m always torn when I find something I don’t like between immediately moving on to another as life is too short, or do I relisten and try to figure out what I don’t like about the track, and possibly learning something about music or myself.
Mostly I’m not in self learning mode and if the internal crap meter says move on then I do.

Same here, although with Bandcamp as my main source of new music I tend to give the benefit of the doubt to any music that half appeals, by sticking it on my 'Wishlist' so I've bookmarked it and can return for another listen in due course.

Sometimes I fall in love with a piece of music immediately, but on quite a few occasions I've returned for another listen in a day or two only to find either I no longer enjoy various music on my Wishlist, or I enjoy it so much that I can't imagine why I didn't buy it after my first listen. Current mood has a lot to do with this

Martin