Prophet Ten has crashed my studio.

[Arpangel]

Thanks for that info. I love reading about how tracks were made.

I never associated the Prophet with that kind of sound. I don't know why.

We were having quite a radical improv session, then in the break, I just called up a preset, and tweaked the envelope a bit, that was it.
I think the Bel, and the desk all added something, the Bel was on long delay mode, with lots of feedback, so god knows what was going on there.

[Guest]

Arpangel,
Thank you for reviewing my music! I bought my first synth in 1981, a Sequential Circuits Pro One. I still have it, but don't play it often since it has no MIDI. Enjoy the Prophet 10, if you own one! Now listening to your End Of the World: first song: very nice strings. Second song: it sounds like you play piano (or equivalent) very well. Nice melodies and audio quality on both songs. I took piano lessons for 5 years; did you takes lessons?

[Arpangel]

Arpangel,
Thank you for reviewing my music! I bought my first synth in 1981, a Sequential Circuits Pro One. I still have it, but don't play it often since it has no MIDI. Enjoy the Prophet 10, if you own one! Now listening to your End Of the World: first song: very nice strings. Second song: it sounds like you play piano (or equivalent) very well. Nice melodies and audio quality on both songs. I took piano lessons for 5 years; did you takes lessons?

Thanks Aaron, your music is great stuff, keep on with it.
Tom Robinson is a very approachable person, if you haven’t already he’d probably be pleased to talk to you, he does the occasional under cover gig, I’ve been to a few, good place to meet and talk to people.
We got picked up by Stuart Maconie, the Freak Zone guy, these shows, like Toms, are a great platform, it’s good they exist, if they choose a track, you’ve instantly got access to a huge audience, what I’ve found is that you have follow it up, and keep up the momentum.