Tsumara JD21 restoration
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Tsumara JD21 restoration
To the untrained eye, it would appear to be a small storage room filled with junk. But to me, it’s MOMI, the Museum of MIDI Instruments. And I just collected another exhibit.
Back in 1989, a Japanese company called Tsumara created the JD21, a kind of percussion keytar.
They rarely surface, although there’s currently one in the US on Reverb.
The only performance I’ve been able to track down on YouTube is the timeless ballad Rendevous 60 Microns by Seikima-II.
It’s been compared to the Zendrum.
I’m not sure if they share any DNA; the Zendrum was originally developed from Futureman’s Drumitar, a customised SynthAxe…
…but they’re both based around a set of velocity-sensitive pads.
The Japanese manual is available here via Wayback.
I recently came across one on eBay listed by a company called Funky Junk who have apparently had it knocking around for ages. It’s rumoured that it might have been used or owned by Calvin Harris, though I’m not concerned about superstar DJs. After a bit of haggling, we agreed on a fair price.
It clearly didn’t have an easy life with Calvin, who seems to have treated it with the same care that Rory Gallagher showed towards his Strat.
The missing keycaps shouldn’t be too much of a problem though. The tricky bit is the missing “buffer box”.
The JD21 connects to this via a two-core cable, and it provide power in and MIDI out. I was bit surprised at this, phantom power and data over a two-core cable, but a bit of Googling indicates some ways to implement it.
Unfortunately, as you can imagine, the internal workings of the buffer box are not well documented. I asked the guy on Reverb if he’d mind opening his one up to take a look, but it might be a sealed unit; still waiting to hear about that.
This mising link puts it in the same bracket as a couple of my earlier MIDI repair projects; the Morrison Digital Trumpet and the Jamma (another percussion keytar). With the first of these, I was able to track down a spare circuit for the interface box, but that’s not going to happen here. With the second, I rebuilt it with Arduino. Although that was interesting and educational, I’m not that great at electronics, and it was quite a messy rebuild. I must revisit it sometime and tidy it up a bit. The functionality is OK except that I wasn’t able to get useful velocity readings off the piezos yet, so it only plays at one level.
I’m guessing that the JD21 is also based on piezo keys, and programming an Arduino for a whole load of them could be tricky. I’d prefer to try and create a new buffer box if possible, but I don’t know how complex the circuit is or whether it will be possible to reverse-engineer it from the JD21 alone without having an example interface to look at. When it turns up, I’ll pull it open and let the SOS electronics vultures offer their opinion…
Back in 1989, a Japanese company called Tsumara created the JD21, a kind of percussion keytar.
They rarely surface, although there’s currently one in the US on Reverb.
The only performance I’ve been able to track down on YouTube is the timeless ballad Rendevous 60 Microns by Seikima-II.
It’s been compared to the Zendrum.
I’m not sure if they share any DNA; the Zendrum was originally developed from Futureman’s Drumitar, a customised SynthAxe…
…but they’re both based around a set of velocity-sensitive pads.
The Japanese manual is available here via Wayback.
I recently came across one on eBay listed by a company called Funky Junk who have apparently had it knocking around for ages. It’s rumoured that it might have been used or owned by Calvin Harris, though I’m not concerned about superstar DJs. After a bit of haggling, we agreed on a fair price.
It clearly didn’t have an easy life with Calvin, who seems to have treated it with the same care that Rory Gallagher showed towards his Strat.
The missing keycaps shouldn’t be too much of a problem though. The tricky bit is the missing “buffer box”.
The JD21 connects to this via a two-core cable, and it provide power in and MIDI out. I was bit surprised at this, phantom power and data over a two-core cable, but a bit of Googling indicates some ways to implement it.
Unfortunately, as you can imagine, the internal workings of the buffer box are not well documented. I asked the guy on Reverb if he’d mind opening his one up to take a look, but it might be a sealed unit; still waiting to hear about that.
This mising link puts it in the same bracket as a couple of my earlier MIDI repair projects; the Morrison Digital Trumpet and the Jamma (another percussion keytar). With the first of these, I was able to track down a spare circuit for the interface box, but that’s not going to happen here. With the second, I rebuilt it with Arduino. Although that was interesting and educational, I’m not that great at electronics, and it was quite a messy rebuild. I must revisit it sometime and tidy it up a bit. The functionality is OK except that I wasn’t able to get useful velocity readings off the piezos yet, so it only plays at one level.
I’m guessing that the JD21 is also based on piezo keys, and programming an Arduino for a whole load of them could be tricky. I’d prefer to try and create a new buffer box if possible, but I don’t know how complex the circuit is or whether it will be possible to reverse-engineer it from the JD21 alone without having an example interface to look at. When it turns up, I’ll pull it open and let the SOS electronics vultures offer their opinion…
Re: Tsumara JD21 restoration
You're a brave man Ben - always up for a challenge!
Good luck investigating the buffer box!
Let's hope it's not encapsulated in black resin to keep the inner workings secret
Martin
Good luck investigating the buffer box!
Let's hope it's not encapsulated in black resin to keep the inner workings secret
Martin
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Re: Tsumara JD21 restoration
It's been a good week. Just got back from a holiday in St Ives (what a great county you live in Martin), had a job offer while I was there (in Norfolk, not Cornwall sadly), and return to find my JD21 has arrived.
It's huge!
It's huge!
Re: Tsumara JD21 restoration
Good luck with the new job and the Tsumara!
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Re: Tsumara JD21 restoration
According to the manual, the keys have velocity and aftertouch.
I pulled it open this afternoon; the mechanism looks quite strange.
The buttons seem to sit on a couple of springs with very short travel. I can't see how it works. I think I'm going to send it to my friend Mr Dingley (Digigurdy, Airpiano) and see what he makes of it.
I pulled it open this afternoon; the mechanism looks quite strange.
The buttons seem to sit on a couple of springs with very short travel. I can't see how it works. I think I'm going to send it to my friend Mr Dingley (Digigurdy, Airpiano) and see what he makes of it.
Re: Tsumara JD21 restoration
Are the 'pads' they mate with possibly piezoelectric? So varying pressure via the springs would quite well controlled.
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Re: Tsumara JD21 restoration
...I wondered about that. Dr Dingley also suggested that velocity could be calculated from timing if the contacts were made one after the other. Perhaps the springs are fractionally different lengths. Perhaps it's both. He's agreed to check it out if I mail it.
Re: Tsumara JD21 restoration
It would be interesting to see the other side of the board in detail. Looks like there could be a processor chip and a couple of memory chips. If one of those memory chips is an EPROM then there's some hope that its contents could be decoded and reverse engineered.
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Re: Tsumara JD21 restoration
James Perrett wrote: ↑Tue Sep 14, 2021 2:08 pm It would be interesting to see the other side of the board in detail.
I've sent it off to John Dingley now. I should have taken some pics really; I was tempted to investigate how it worked. But I ended up pretty much destroying the Jamma with my DIY rebuild, and I felt this deserved better treatment. It looked quite elegant propped up against the wall - I've never seen another blue one - so I've passed it to someone who can do the job properly. I'm looking forward to seeing what he makes of it.
Another pic from the Tsumura JD21 gallery...and that's about it.
Re: Tsumara JD21 restoration
...yes, so, this fellow John Dingley is the inventor of the DigiGurdy and knows his way round a Teensy.
He agreed that the way the buttons work is pretty weird, and we've agreed to just replace them with arcade-style buttons. He's ordered a bunch from China.
The DigiGurdy also has 24 note buttons so the electronics should be a good fit.
(Apparently the solder pads aren't likely to contain a piezo, and the pressure from the springs is very light so it's probably a simple non-wired contact for ease of assembly. I'm wondering if the button caps, which are quite thin and flexible, might contain a piezo instead, but there are several missing and it's too much fuss. I may investigate later.)
He agreed that the way the buttons work is pretty weird, and we've agreed to just replace them with arcade-style buttons. He's ordered a bunch from China.
The DigiGurdy also has 24 note buttons so the electronics should be a good fit.
(Apparently the solder pads aren't likely to contain a piezo, and the pressure from the springs is very light so it's probably a simple non-wired contact for ease of assembly. I'm wondering if the button caps, which are quite thin and flexible, might contain a piezo instead, but there are several missing and it's too much fuss. I may investigate later.)
Re: Tsumara JD21 restoration
Looking good!
Martin
Martin
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Re: Tsumara JD21 restoration
Neato!
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Re: Tsumara JD21 restoration
I've found my niche, which is asking someone else to rebuild these gadgets rather than trying to do it myself. I can just dream up a fingering chart and a few extra functions and send off an email. Bliss.
I've requested this as the default layout, chromatic over two octaves. I think that'll fall under the fingers OK.
(By the time the manual has been fed through Wayback and Google Translate, it's difficult to find out what the original settings were.)
I've requested this as the default layout, chromatic over two octaves. I think that'll fall under the fingers OK.
(By the time the manual has been fed through Wayback and Google Translate, it's difficult to find out what the original settings were.)
Re: Tsumara JD21 restoration
It interests me to know how the microprocessor is being made to handle that number of inputs - I've never figured that part out!
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Re: Tsumara JD21 restoration
I'm not sure how this one has been done (I'll ask), though people often use a "button matrix".
https://www.embeddedrelated.com/showarticle/519.php
https://learn.sparkfun.com/tutorials/bu ... -guide/all
This has come together faster than I expected. It's already playable (USB MIDI) together with display and pitchbend.