It’s always difficult, buying things you don’t really need, our reasons hold no water for anyone, apart from ourselves.
Anyway, is there a knob on the back of this 2600 so you can turn those LED's off?
Customising your Behringer interface.
Moderator: Moderators
Re: Customising your Behringer interface.
Yes (at least on the black/orange one there is - I guess it will be the same). Given that they are all the same colour on the grey it it probably a sensible thing to do.
An Eagle for an Emperor, A Kestrel for a Knave.
Re: Customising your Behringer interface.
I’ll come clean, there is an ulterior motive here, I’m sneaking this in, the last thing I need are loads of glaring lights to draw attention.
I just hope the 32U rack doesn’t draw attention.
Last edited by Arpangel on Mon Nov 29, 2021 8:40 am, edited 1 time in total.
Re: Customising your Behringer interface.
Begin to turn them up, ever so slightly, day after day - see when it's noticed!
When it is, prepare to invoke the "I've had it for years" defence...
When it is, prepare to invoke the "I've had it for years" defence...
An Eagle for an Emperor, A Kestrel for a Knave.
Re: Customising your Behringer interface.
OK, a possible stumbling block, but not a deal breaker.
I notice the symbols, those little boxes below the sliders, are incredibly small, not a problem for most, but my eyesight isn’t good, I think I’m going to find it a problem initially, but it’s not a big deal.
PS.
I’m starting to feel a certain frisson, I must admit, of anticipation, and unusually for me, a little excitement too, at the thought of getting this.
It’s a bit surreal, an instrument that I used to dream about, as a teenager, will actually be in my studio, the synthesiser that was used on Black Market, On Land, when it’s in the rack, I may have an emotional moment.
I've created its own little alcove, in a big rack, with my BSS402, an Alesis MidiVerb 11, I’m going to throw a few more old bits in there, my Realistic mixer, it’s going to be a beautiful source of disintegration, and dirt.
I notice the symbols, those little boxes below the sliders, are incredibly small, not a problem for most, but my eyesight isn’t good, I think I’m going to find it a problem initially, but it’s not a big deal.
PS.
I’m starting to feel a certain frisson, I must admit, of anticipation, and unusually for me, a little excitement too, at the thought of getting this.
It’s a bit surreal, an instrument that I used to dream about, as a teenager, will actually be in my studio, the synthesiser that was used on Black Market, On Land, when it’s in the rack, I may have an emotional moment.
I've created its own little alcove, in a big rack, with my BSS402, an Alesis MidiVerb 11, I’m going to throw a few more old bits in there, my Realistic mixer, it’s going to be a beautiful source of disintegration, and dirt.
Re: Customising your Behringer interface.
You've found one of the reasons why having the multi-coloured fader tops is a useful feature.
I'd suggest you try linking the 2600 to your 2500 modules (if you still have them?) - that way lies lots of multi-oscillator/filter fun.
I'd suggest you try linking the 2600 to your 2500 modules (if you still have them?) - that way lies lots of multi-oscillator/filter fun.
An Eagle for an Emperor, A Kestrel for a Knave.
Re: Customising your Behringer interface.
You’re right about the faders, I may need those lights.
I’ve got all my 2500 modules, not selling them, but they are in my large case, over the other side of the room, besides, I think the 2600 will be enough for me, on its own, I want it to be a stand alone thing, on a little island of its own. I did buy some obscenely long stackable patch leads though, just in case.
Re: Customising your Behringer interface.
I just unboxed the 2600.
Verdict? I wish I’d bought it sooner.
It looks stunning too, much much better than I thought it would.
Having amazing S&H fun, and those three oscillators, sound cool together, no keyboard connected, it’s going to be a a mean drone machine, and abstract monster.
Those LED faders look so cool just above minimum, really "nasty" like little red hot pokers.
Verdict? I wish I’d bought it sooner.
It looks stunning too, much much better than I thought it would.
Having amazing S&H fun, and those three oscillators, sound cool together, no keyboard connected, it’s going to be a a mean drone machine, and abstract monster.
Those LED faders look so cool just above minimum, really "nasty" like little red hot pokers.