If you look at the spruce available though, you'll find like pine, that it has an abundance of knots in it, which you really don't want in a guitar body.
So finding a knot-free piece of spruce with nice straight grain takes some doing. And which puts the price up considerably compared to the run-of-the-mill builder's spruce.
A piece of master quality European spruce for an acoustic top can easily cost £200 or so, though lesser quality grades are significantly less. But if you want to make something of the body wood, rather than use a solid finish, then you'll need to pay. And as you could get 4 or 5 tops from the thickness required for a solid body electric, you'll pay a lot for that in top quality timber.
Not all woods are suitable for guitar manufacture. Some are far too heavy, some too soft (though even balsa has been used as a lightweight core filler by companies like Gibson), and has been mentioned, some are too difficult to machine on a large scale.
There have been electric guitars made from spruce, though there is no real benefit to it, and other woods are more cost-effective and less ding-prone.
The tone wood myth?
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Re: The tone wood myth?
sounds like a cue for carbon fibre !
Now that time has passed -are the original Steinberger bass guitars considered as having a good tone ?
E&MM review from 1982:
https://www.muzines.co.uk/articles/stei ... -bass/4301
Wonks wrote: balsa has been used as a lightweight core filler by companies like Gibson
Factoid: Even though you can poke your finger through it, Balsa is technically a hardwood !
Re: The tone wood myth?
The difference, I believe, is how fast it grows.
- Sam Spoons
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Re: The tone wood myth?
It's simpler than that.
Coniferous or evergreen (like a christmas tree) -- softwood
Deciduous (trees whose leaves fall off in autumn) -- hardwood
Coniferous or evergreen (like a christmas tree) -- softwood
Deciduous (trees whose leaves fall off in autumn) -- hardwood
It ain't what you don't know. It's what you know that ain't so.
Re: The tone wood myth?
This is the stuff that you need to make a decent guitar!
- Music Wolf
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Re: The tone wood myth?
5000-year old oak - wow!

- Martin Walker
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Re: The tone wood myth?
Can you remember planting the acorn?
Reliably fallible.
Re: The tone wood myth?
I only ever tried them in shops, but it seemed to me that you had to play them quite aggressively. There was a threshold of effort to put into the string, beyond which they sounded great. But they didn't do light and shade, and had a very specific sound. Good for funk and fusion, would probably work for a lot of rock.
Status Graphite, on the other hand, made fantastic basses that work for pretty much anything. Probably still do, but I can't afford them these days.
Modulus were well regarded as well, but I never got to try one.
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- SecretSam
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Instant gratification is actually pretty good. It's fast as well.
Re: The tone wood myth?
I always wanted a headless trans green Status carbon through neck 5 string bass
Never been able to justify the expense though 
I do have a carbon fibre parlour guitar, an Emerald X7, which is wonderful. Good job I bought it when I did as they have gone up in price/value exponentially* since.
* I paid £850 for mine about 5 years ago, the current equivalent costs nearly twice that.


I do have a carbon fibre parlour guitar, an Emerald X7, which is wonderful. Good job I bought it when I did as they have gone up in price/value exponentially* since.
* I paid £850 for mine about 5 years ago, the current equivalent costs nearly twice that.
- Sam Spoons
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Re: The tone wood myth?
I have two Gus G3 5-string basses and a Gus G1 guitar which are a 2mm carbon fibre skin over a cedar neck and body core. TBH they were bought primarily because I liked the design rather than for their construction. I also play an Eastwood Bass VI which is made out of conventional materials, but it would be replaced by an equivalent Gus in a heartbeat if I had the funds.
RockinRollin' VampireMan