I am trying to match the sound and amplitude of a kick within a downloaded MP3 file reference track with a library sample kick but I can’t get anywhere near the measured amplitude of the reference track. I’m using Ableton Live as my DAW and Voxengo SPAN to measure my amplitude and frequency waveform.
So I have done some investigating and this is what I have discovered:
Measuring the output of my monitors using a hand held db meter, the amplitude of the reference track measures 70 db and SPAN on the reference track shows -32db.
My kick at the same db output (70db) as measured by my hand held db meter, has a SPAN measurement of -46db. So a huge difference compared to the reference track for the same level of monitor output.
If I drive my kick channel to provide the same level of db as measured by SPAN on their respective buses, my monitor output goes over 80db which is way too loud and red-lines Ableton's Master bus. I should also add that here is no compression on my kick or master channel when taking these measurements.
Is this difference due to the compression on the downloaded Beatport reference track....or is it another factor?
Amplitude Matching
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Re: Amplitude Matching
It is probably compressed.
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- Philbo King
Regular - Posts: 218 Joined: Thu Oct 11, 2018 10:07 pm
Re: Amplitude Matching
…and EQ´d. And it may have some added sub-bass.
Re: Amplitude Matching
This is really not my comfort zone, but - can you zoom in on the waveforms of both files to see and compare any peaks which might by sending the meters into the red but not adding much to the sound?
Likewise low frequency content that is present but not audible.
Likewise low frequency content that is present but not audible.
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- shufflebeat
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Re: Amplitude Matching
Depending on your metering the duration of the tail of the sample might also be having an effect.
Might be worth playing around with a transient designer on one or both to see if you can get them into a more useable ball park.
Might be worth playing around with a transient designer on one or both to see if you can get them into a more useable ball park.
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Re: Amplitude Matching
Thanks to everyone who has responded.
For sure the downloaded reference track is compressed; all the major sound hosting media sites to my knowledge such as SoundCloud or BeatPort always compress their offerings. They may also do some EQ as well but in this instance, I know what EQ was applied to the reference kick and can replicate that EQ in my DAW.
One more point I discovered; if I set the loudness of my reference channel at 0db it measures an average peak (DBFS) of -36db in the reference track on playback whilst it measures -50db in the master channel. And that's with no plugins on any channel, including the Master channel. So some losses seem to be inherent within Ableton/DAW. Maybe there's a clue there as to why I can't match the amplitude of my kick (and tracks) to the reference track?
For sure the downloaded reference track is compressed; all the major sound hosting media sites to my knowledge such as SoundCloud or BeatPort always compress their offerings. They may also do some EQ as well but in this instance, I know what EQ was applied to the reference kick and can replicate that EQ in my DAW.
One more point I discovered; if I set the loudness of my reference channel at 0db it measures an average peak (DBFS) of -36db in the reference track on playback whilst it measures -50db in the master channel. And that's with no plugins on any channel, including the Master channel. So some losses seem to be inherent within Ableton/DAW. Maybe there's a clue there as to why I can't match the amplitude of my kick (and tracks) to the reference track?
Re: Amplitude Matching
Paul881 wrote: ↑Sun May 29, 2022 7:31 pm Thanks to everyone who has responded.
For sure the downloaded reference track is compressed; all the major sound hosting media sites to my knowledge such as SoundCloud or BeatPort always compress their offerings. They may also do some EQ as well but in this instance, I know what EQ was applied to the reference kick and can replicate that EQ in my DAW.
One more point I discovered; if I set the loudness of my reference channel at 0db it measures an average peak (DBFS) of -36db in the reference track on playback whilst it measures -50db in the master channel. And that's with no plugins on any channel, including the Master channel. So some losses seem to be inherent within Ableton/DAW. Maybe there's a clue there as to why I can't match the amplitude of my kick (and tracks) to the reference track?
That level difference won’t happen unless you’ve got something applying some gain somewhere. By default, if you have just one channel creating audio, the master track level will be the same as the channel level.
Re: Amplitude Matching
Hi Richard, thanks for replying but all my other tracks are muted, won't that negate what you are suggesting?
Re: Amplitude Matching
To ensure my DAW was not getting any spurious inputs, I rebooted and then looked at the waveforms of the reference track and the Master Bus. And they were the same in frequency and amplitude! So I don't know how or why I got such a difference in amplitude measurements; they must have been some interference with either the channel, other tracks or bus somewhere.
So you were right Richard, and that's what I had expected; unless there are other tracks playing, the Master Bus has to reflect the same form and levels as any single channel.
So you were right Richard, and that's what I had expected; unless there are other tracks playing, the Master Bus has to reflect the same form and levels as any single channel.