The Elf wrote: ↑Fri Oct 07, 2022 9:13 amSo why, why, why do manufacturers believe we all want 'desktop' form devices?
Because they sell.
The millennials like small, inexpensive boxes that are interactive, hands on, and *fun* - and dull, ugly 19" racks have no place in their studios.
The Elf wrote: ↑Fri Oct 07, 2022 9:13 amWhat was wrong with the 19-inch rack mount format?!
To generalise, it's seen as boring, "engineer-ey" and old-school by the trendy folk, and it's not hands on, interactive, or "fun" - and unlike us back in the 90s, when we needed more sounds and polyphony and didn't have DAWs, a wall of gear was a space-efficient way of handling that (and we saw the lack on hands-on interactivity as an acceptable compromise - and lets face it, synths of that time weren't that hands-on anyway - it was the time that knobs forgot...). We just needed sound boxes.
Personally, I did the "connect up loads of inexpensive boxes" back in the day (drum machines, mono synths, TB/TR boxes, Boss pedals and microracks, cassette portastudios etc), as it was the only way we could afford some kind of studio, and I was glad to move on from that and have no wish to go back there, but a lot of people these days are not inspired sitting behind a computer and want a bunch of toys to play with and to, I guess, feel like they are performing a bit more. (And I understand that well enough.)
Basically, what Elf wants, and what youngsters want are fairly wildly different, and there are more youngsters to market new fun boxes to than seen-it-alls like Elf (and Myself) (incidentally, the name of our next concept album
)
Basically, rack units aren't seen as fun and dopamine-inducing (or YouTube showcasing) gear and our computers already do the "box of sounds" thing perfectly well, so racks aren't really a thing (apart from more studio-oriented hardware, of course, which is a different use case. Audio interfaces, compressors etc aren't really "fun" in the same way as these little instruments).
But I'm sure we've had this debate here before...