OneWorld wrote: ↑Mon Jan 30, 2023 12:00 pm
I think I am a virtuoso listener but I think a lot of Yes's stuff was harder to listen to than it would have been to play it. I had a brief dalliance with Yes and other Prog Rock bands yes they did give impressive and expansive performances but at the end of each interminable extemporization I always ended up asking myself "Yes, but what are they trying to say" and I went back to listening to Donovan or Bob Dylan and on party nights Barry White or Stevie Wonder
Yes just didn’t press any buttons for me, completely emotionless music to my ears. It wasn’t nice and spacey, it wasn’t mysterious, it was, over pompous, cheesy melodies, and it was "clever-clever"
I started to listen to King Crimson, completely different, very interesting I thought, the playing was at the service of the music, not gratuitous, and there was lots to think about.
ELP were also a step ahead, beautiful songs, completely fused with tasteful virtuosity, and of course, entertaining showmanship.
The good thing about Yes was Rick Wakeman, when he went solo, but even Rick started to loose it a bit with all that King Arthur stuff.